Dev asked:
"Dcstep, do you feel that the class "D" gear Rowland and Spectron are lacking in offering how Dob put it "the painting by TALANTED artist which can look into the soul of individual."
What are your thoughts of other Rowland gear compared them directly to their class "D" product we are specifically talking about. Do you prefer it over all over other Rowland products and if so why."
I don't consider the Rowland or Spectron "lacking" in anything. When your sources are excellent, then the musical experience will all the soul that could be desired. Some audiophiles prefer a slightly euphonic delivery. As a musician, I prefer accuracy, which excludes unrealistic hardness or edge.
If you're asking me to compare Rowland to Spectron, I can't say anything further than they're both excellent and of the same philosophy. I've heard them in different systems and liked them both very much. Both are transparent and clear with effortless dynamic and no sonic signature. I have no temptation to move to Spectron, but if I needed more clean, accurate power, then I'd look at the Spectron first.
I'm not sure that I understand the second part of your question. I'm only familiar with Rowland's more recent products, like the Continuum 500, 312, Capri, Critereon, 501, 201 and 102. I've read where some thought that older Rowland products had a slightly "warm" delivery. That's not true of the current crop, IMHO.
Dave
"Dcstep, do you feel that the class "D" gear Rowland and Spectron are lacking in offering how Dob put it "the painting by TALANTED artist which can look into the soul of individual."
What are your thoughts of other Rowland gear compared them directly to their class "D" product we are specifically talking about. Do you prefer it over all over other Rowland products and if so why."
I don't consider the Rowland or Spectron "lacking" in anything. When your sources are excellent, then the musical experience will all the soul that could be desired. Some audiophiles prefer a slightly euphonic delivery. As a musician, I prefer accuracy, which excludes unrealistic hardness or edge.
If you're asking me to compare Rowland to Spectron, I can't say anything further than they're both excellent and of the same philosophy. I've heard them in different systems and liked them both very much. Both are transparent and clear with effortless dynamic and no sonic signature. I have no temptation to move to Spectron, but if I needed more clean, accurate power, then I'd look at the Spectron first.
I'm not sure that I understand the second part of your question. I'm only familiar with Rowland's more recent products, like the Continuum 500, 312, Capri, Critereon, 501, 201 and 102. I've read where some thought that older Rowland products had a slightly "warm" delivery. That's not true of the current crop, IMHO.
Dave