Review ATC SCM 40 A floorstanders.....finally


I thought I knew.  I thought I knew all about imaging, dynamics, resolution, PRaT, all the audiophile buzz words allowing one into the coded audiophile secret society pontifications.  I got schooled.  It’s called ACTIVE.  Everthing I’ve been yearning for has been solved with my new ATCs.  They just do musical reproduction with immediacy.  The attack is instantanious.  Bad recording, bad reproduction.  Great recording, great reproduction.  Period.  Fin.  Ende.

I’ve progressed through some fairly serious talent.  Great equipment I’ve enjoyed over the decades: always the journey, never having arrived at the ultimate destination.  I do not know why it took so long to depart the traditional souce, preamp, monoblocks, cabling and transducers formula.  I hope this encourages others to at least consider leaving the world of so many pieces and cabling.

System:  Naim UnitiServe with unknown serious external PSU, Nordost Valhalla II digital cable, Mojo Audio Mystique V3 DAC, Manley Neo Classic preamp with Takatsuki 300B tubes.  Decware ICs, Patrick Cullum Crossover II PCs, Furman IT Reference 15i power conditioner.  All components sit on Quadraspire Reference X stand.  Wireworld Silver Elipse 8 RCA to XLR interconnects from Manley 300B to ATCs.  Isoacoustics Gaia II footers.  I’m really there for now.  Tchau
celtic66

Showing 3 responses by lonemountain

mktmkt:
Sonically yes, they are the same but the finish is a lot more than stain.  We use the same veneer house as Bentley and Maserati.  Consumer dealers service and support is WAY different than pro.  Pro dealers serve studio customers that are 100% self servicing. No long chats on the phone about cables or stands, no loaners, no on site service, no local service, etc.  Might be a rare exception, but its pretty much the way it is.   Also pro dealers have zero experience with consumer gear and consumer applications.  "A streamer?  You mean decorations for a party?"  You won't be asking a pro dealer about what cables sound like, turntables, tone arms, CD players, or music servers.  

I see consumer dealers get parts from us and service people's stuff locally.  Their customers deal with them, not us.  If you believe in the idea that advice is the key (ie. buying the right product is more important than buying what you think is good at the lowest price) then buying from a good consumer dealer you trust will save more money over time by avoiding a purchase error and supporting you when you have issues or problems.  

 Brad

Actually phantom_av, that is not current information.  Hans has Quested in his personal studio but all his work is mixed and produced on ATC and has been for 10 years?   His mix engineer Alan Meyerson (handling I believe all Remote Controls's pro output) is using ATC 100s as his LCR, 25s as his spares (similar driver complement to 40A) , and ATC passive PRO 12s (equal to SCM11's) with P1's on his surround channels.  Our pro division is in his room fairly regularly.  

Brad 
9radua
This is the most recent 40 right? I have no idea how this tweeter could possibly change. This tweeter is ATC’s handmade one, the same design and coil as the more expensive models use. It can dissipate huge amounts of power and keep working. We constantly measure them when pro or consumer speakers come in for service; we’ve never seen one change sound from new. Older ferrofluid models we used? Yes we’ve measured those changing, but not this ATC one.

I don’t know where to start but I’d think about other changes in the system and if they exist, bypass them. Did you change first reflection points somehow? Room? Anything different with source?  ATC's do make other system changes very easy to hear.

There is one thing I have heard of : people changing out speaker cables to a much heavier gauge (say 12) and running a longer run. These heavy cables raise capacitance and can affect top end negatively.

Maybe you could call your dealer and we get a conversation going?

Brad