I've commented in the Part I discussion of this regarding my own positive experience with the AQ Dragon Hi Current which mirror Bo's with the Hurricane
There is one point of Bo's that I think merits expansion however, especially as it departs from the normal "hi-fi" discussion of the impact of a system change
The comment above is what I had in mind. Firstly to clarify what I believe is Bo's intent the use of the word "layering" is not in its traditional hi-fi sense of soundstage but instead refers to the many layers of interpretation in a given artists's performance. To give a couple of examples -- bass guitar or double bass is often perceived as a single tone and we remark on it's immediacy or profound depth -- but most skilled bass players put all manner of subtle detail into their playing, modulating the dynamics to tiny degrees, adding a hint of vibrato and so on. Likewise with vocalists what you hear is all sorts of subtle inflections, slight shifts in tone and emphasis -- all of which adds immeasurably to the experience and frankly makes you care much less about traditional measures of hi-fi performance.
I believe the AQ cables contribute to this by not only providing a wider channel to get power to the system but more by lowering the noise floor -- the same sorts of impact are to be found by changes such as grounding systems that lower system noise floor -- or by removing interfering acoustic reflections that are muddying the direct recorded sound.
So I strongly recommend you explore these cables in concert with other system tuning efforts aimed at reducing system noise and uncovering all the hidden layers that your recordings contain
There is one point of Bo's that I think merits expansion however, especially as it departs from the normal "hi-fi" discussion of the impact of a system change
You can even observe more diversity (layering) in sound. Diversity in sound is the most determining factor that influences the human emotion. Voices turn out to have more layers than we thought. Instruments gain a more natural and realistic sound. And voices become silky and more fluid than ever before
The comment above is what I had in mind. Firstly to clarify what I believe is Bo's intent the use of the word "layering" is not in its traditional hi-fi sense of soundstage but instead refers to the many layers of interpretation in a given artists's performance. To give a couple of examples -- bass guitar or double bass is often perceived as a single tone and we remark on it's immediacy or profound depth -- but most skilled bass players put all manner of subtle detail into their playing, modulating the dynamics to tiny degrees, adding a hint of vibrato and so on. Likewise with vocalists what you hear is all sorts of subtle inflections, slight shifts in tone and emphasis -- all of which adds immeasurably to the experience and frankly makes you care much less about traditional measures of hi-fi performance.
I believe the AQ cables contribute to this by not only providing a wider channel to get power to the system but more by lowering the noise floor -- the same sorts of impact are to be found by changes such as grounding systems that lower system noise floor -- or by removing interfering acoustic reflections that are muddying the direct recorded sound.
So I strongly recommend you explore these cables in concert with other system tuning efforts aimed at reducing system noise and uncovering all the hidden layers that your recordings contain