Review: Porter Port AC Outlet Customized Hubbell 8300 Tweak


Category: Accessories

I continue to be an independent audiophile and have no association with any manufacturer or individuals whatsoever.

I believe all types of stereo equipment, including tweaks of all types, can be system-dependent. In addition, I also think audiophiles are capable of liking different products. Just because I prefer item A and you like item B does not mean one of us is wrong. We can agree to disagree over personal choices. My review is based upon listening results from my tube system and my solid state system.

Over the past several years, I’ve done an extensive amount of listening to my systems using the following outlets:
Wattgate 381 non-cryo’d / cryo’d, FIM non-cryo’d / cryo’d, PS Audio non-cryo’d, Furutech FP-2G non-cryo’d,
Acme Silver plated cryo’d, Leviton 8300 non-cryo’d / cryo’d, Hubbell 8300 non-cryo’d / cryo’d, Hubbell 5362 cryo’d, and the Porter Ports, a special order Hubbell 8300 that has no multi-layered bright nickel plating on the contacts and has the same higher impact resistance thermoplastic polyester face as the Hubbell 8300’s do.

I do very much like the Wattgate 381 and the Furutech FP-2G (both of them are gold plated). In my systems I prefer to save them for special occasions when I desire that special smooth sound for a specific component that requires it. By the way, I don’t recommending cryogenically treating anything that is gold or gold plated. I never heard an improvement. If anything, I’d say it degraded the sound a bit.

While I do hear vast amounts of improvement using all the other cryo’d outlets that I mentioned, I believe the Porter Port edged out all my other outlets. I believe it has something to do with the fact that the contacts are not nickel plated and the outlet is treated by a long computer-controlled cryo immersion as opposed to a long computer-controlled cryo vapor.

Here’s what I heard: All of the well-recorded CD’s I listened to (that I use for demo comparison purposes) sounded as if the volume had been turned up one or two clicks. There was more detail in the lows, mids and highs. I heard a sweeter timbre and background accompaniment. The sound was not harsh, and there is a wider and more dimensional soundstage with a deep, fast bass. There is a very black background that reveals the detail in a very positive manner, even when listening at very quiet levels.

When I received the Porter Ports, I was doubtful that I would hear any change compared to my other cryogenically treated outlets because of the AC power filtration systems that I am currently using. However, I was shocked and surprised by the performance of these outlets. I highly recommend the Porter Ports.

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Hi Larry: Actually, I got a bit lucky; I ended up phoning a few places locally (London, Ontario) that do metal heat treating, and Bayson Heat Treating had just recently acquired a cryo unit. As I was somewhat familiar with the process, I made sure that it was what I wanted (a vapour cryo as opposed to actual immersion in liquid nitrogen).

The guy that did it for me was extremely careful as 1) they had initially had a problem with the unit with some liquid nitrogen (a few inches) appearing in the unit and 2) I told him that the wiring he was cryoing was fairly expensive.

They had replaced a part on the unit and had no further problems with LN being in the drum at the end of the process, but just to be on the safe side, they now raise everything off the floor of the drum by about 4-5 inches just in case, and he actually only takes things down to around -300F (He showed me the chart on my particular cryo, which was done with some other stuff-non audio-that was being cryoed at the same time, thus keeping the cost very reasonable).

In any event, I probably would not have done it if I had to ship my stuff out to the U.S. and wait 3-4 weeks to get it back; I'd have too much audio/video withdrawl! This worked out tremendously. I simply took the stuff in and picked it up two days later-whole process was about 30-35 hours and the stuff was still a bit cool when I picked it up.

The results on the wire were exactly like those experienced with the cryoed outlets; blacker background combined with much more extension at the frequency extremes, and a much more fleshed out, more detailed and transparent midband with more info. The wires needed to break-in a bit after the cryo as there was a bit of birghtness or edge to them, but they seemed to smooth out fairly quickly (within about 2-3 weeks) and it has been a great success.

I will probably do a few other things in the next few months-want to reterminate my phono cables with Eichmann's and I held off on cryoing the OTA interconnects and power cord I use because I was a bit nervous about them-will probably do all these and a bit more in the coming months when I can get around to it.

Regards

Blake
Blake,
It sound like a dream come true!
I'm happy for you, please keep me posted.
Did any of you folks check out the article by Art Dudley in the November issue of Stereophile wherein he compares the merits of the PS Audio Power Ports to a "run of the mill" receptacle (in this case the Eagle 426)? He appears to start off as a skeptic, but finds audible and consistent benefits to the Power Port. The Hubbell 8300 does get a brief mention, though there is no head to head against it and the Power Port (which is made by Hubbell). It would have been great if they could have also compared it to a cryo'd Porter Port. Maybe Albert can send Art one or two?

Later, Tom.