Sealed vs Ported Subwoofers


Can anyone explain the difference? I have a Totem Lightning and was wondering if I should sell it and by a sealed unit.

Unfortunately I can't test any because my house is being renovated.

Thanks

Jim
spender_1

Showing 2 responses by drew_eckhardt

A ported enclosure can be 3dB more efficient at the same size or play a quarter octave lower at the same efficiency.

The same driver excursion will net you perhaps an extra 1/3 octave of extension with a ported speaker.

You'll have higher excursion limited output in the bottom of a ported design's pass-band so you can use smaller + less expensive drivers.

Distortion will also be lower in the bottom of the speaker's pass-band with the port because of the reduced excursion.

Ported enclosure+driver combinations have four poles in their high-pass function for an eventual 24dB/octave roll-off function while sealed ones have just two for 12dB/octave. With sufficiently shallow roll-off room gain (12dB/octave in an infinitely rigid room below its fundamental resonance at 1130 / 2 / the longest dimension) can keep the speaker flat below its roll-off.

Ported enclosures do not load the driver once you get below the port tune, with excursion increasing to what it would be in free air. Where too much low frequency energy is present below the speaker's pass-band you'll have distortion (including midrange IM distortion on 2-way speakers) and may even run the drivers into their mechanical limits resulting in damage (some very nice drivers will bottom the voice coils on the back plate). For a given input level sealed speaker excursion remains constant with decreasing frequency.
>The sealed sub absorbs the backwave of the open baffle driver. Not really a new idea.

Not exactly.

When you add a monopole and a dipole together you get a cardioid with 4.8dB directivity (versus 0dB for a monopole) which interacts better with room modes than the monopole.

If the engineers have done their job right, their sub-woofer should become monopolar at low frequencies (you're not gaining anything below the room's fundamental resonance, and a dipole's excursion has an additional doubling for each lower octave you play) so you're not loosing low end output as you would with a dipole (that also has 4.8dB of directivity)