My thoughts are that you want a shelf to be dead rather than resonant, but that it released its energy very quickly. Dead means the least effect on tonality - ie. no resonant peaks. Releasing its energy quickly means no perceived slowing of the music. I suspect that engineering-wise, getting these two things at the same time is very difficult, if not impossible, hence the difficulty I am having getting something that sounds right. I concur with all of the above posts to some degree, but think the most fruitful approach may be to get a shelf that releases its energy quickly - ie. is light and rigid - and use some form of damping that does not add weight, and hence energy storage. This aligns with the suggestions from Dekay and Vantageaudio. So I will work on that avenue I think. Perhaps two layers of 6mm perspex bonded together - but perpexes rigidity:weight ratio is not great. Perhaps Corian is worth investigating. Any ideas? Of course Dekay is right that the exact answer each time is equipment dependent, but the general strategy ought to have some consistency in my mind. Thanks for the ideas so far.
Shelf Material
I have tried so many different shelf materials, and some are better than others, but I feel like I am just spraying bullets that always miss the bulls-eye. So far, I cannot live with the brightness of glass, the ringing of marble or granite, the sluggishness of acrylic, the muddiness of mdf etc. Light and rigid seems better than heavy and dense - in that I can live with the downsides more easily. I use heavily constructed welded steel racks - spiked to the floor and upward spikes supporting the shelves - and I reckon this is right. I like the way bladder products get rid of the resonances that plague shelves, but find that the way they slow down the pace of the music is hard to accept. Does anyone have some answers on this?
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- 88 posts total
- 88 posts total