Should I keep my Well tempered tonearm?


I have had this arm for years. I am currently in the middle of getting an oracle Delphi MKIII. My alexandria it was on has had it, and its not logical to repair what needs replacement.

I have always had mistracking issues with this tonearm and whatever cartridge. I just sold a Grado Sonata, which may have been a mistake. I have tried multiple cartridges (read 4 different known good units) and never seem to get it right.

I ordered the protractor from stanalog because I am concerned that its incorrectly set overhang causing mistracking. When I say mistracking I mean sibalence.

I have played with every possible setting and never had it setup to my satisfaction.

Honestly, I am sick of screwing around with this arm. I am about ready to get rid of it and get something different.

The manual isn't all that great as far as installation instructions either. It lists that you mount the cart and set overhang by twisting the arm mounting until the stylus lines up with the overhang circle. This makes no sense to set overhang with an arbitrary cartridge mounting arrangement.

Sorry if this seems like a rant, but I am very frustrated and annoyed with this arm. I just want to listen to good sounding clean music. Not dirty sibalence.

Thanks guys, your input would be appreciated. I would likely have to buy an arm that is priced close to what the WTT is worth used because I won't have a ton of money left over.

Evan

BTW, I put a 10x5 on a thorens turntable and could listen to that all day compared to my setup.
240z4u
Post removed 
240z4u,

If your phono preamp is set at 50dB, you may be overloading your system. The Shure has a 4mv output, so the KAB gain calculator says 38dB gain is optimal. Depending on the gain in the rest of your system, 50dB could be too high. If your phono preamp is adjustable, you might want to dial it down some.

Viridian's experience with the WT arm and the Sonographe is just proof that seemingly unlikely combinations can work great. I would never have guessed that, but guessing is frequently wrong. Audio is often maddeningly, or maybe refreshingly, non-linear.
I guess what I meant to say was that my tonearm had been used on suspended tables before.

In my own (not the most educated) opinion, I don't see why it would not work on a suspended table.

Its besides the point though right now, because its on an unsuspended turntable.

Interesting thought on overload. I have run the following cartridges with pretty much the same problems

Denon DL110
Sumiko BP
Grado sonata
Current shure
Audio technica cheapo

They are all pretty high output wise.

Non-linear? Yeah thats a gross understatement. I guess its part of the fun/frustration. I just happen to be in the frustration part right now!

Guys, once again, thank you SO much for your insight. It is VERY helpful.

I actually have a shinon red with a missing cantilever that I was going to have redone by sound-smith. Its .9mv and would be a better match for my phono stage from what I saw on the KAB calculator (which I didn't know existed till today).

I was going off recommendations from music direct.

I have no idea if my Welborne has adjustable output. I know loading and capacitance is adjustable but I have not played with it.

This discussion is actually very encouraging, thank you!

Evan

I had a buddy offer me a basically new Sumiko FT-3 for 200 bucks. I may just buy it to try it.
Well, I made some progress yesterday.

I reset the overhang after finding the dimension in some paperwork that I had long forgotten about. .63" is the overhang for anyone who needs to know.

I reset the arm completely, azimuth/vta/etc...

Sound is getting much better. I need to find a good way to remove some silicone from my damping trough though. I may still have the cart overdamped.

Most of the sibalence is gone, and I think I can eliminate the rest.

Looks like there is hope for this thing yet!

Thanks everyone, especially David!

Evan
Use Q-tips.

Dip the Q-tip and raise it with a glob of stuff and turn until it doesn't drip, then discard. Do another and another.