Some Axpona thoughts


Went on Friday. Always try to find great sounding speakers that are not TOO expensive. Ones that impressed me- Vapor Cirrus Black(4K),Kef Ls50($1500), Rega RS5($1500),Joseph Pulsar(not cheap at 7K but a special speaker),Sonus Faber Veneer 3.0(bargain at $3500), Legacy Aeris(12k), Acoustic Zen Crescendo(16K) and lots more. Two others intrigued me. 1)Newform Research line array.(10K) 84" Tall with about 12 drivers and about 3 feet of ribbons drivers mounted directly in front of the other drivers. It looks odd and you wouldn't think it would work,but it sounded totally transparent and with 4 subs and a cross-over thrown into the package- it wasn't a bad deal. The star of the show had to be the Tad Reference One. It was worth the price of admission alone. At 70K, totally unaffordable for me, but what a treat to listen to. They played a Master Tape on a reel-to-reel of a jazz recording. It was literally like the sax player was inside the speaker. The most accurate reproduction of an instrument and music I've ever heard. That's what cool about these shows. I would like to hear other people thoughts if they were there-especially on the Newform Research(am I crazy?) and the TAD(I can't be crazy).
jackmonster
After reading all the reviews on the YG Carmel’s, I expected to be blown away by them at the Chicago show. I wasn’t which really disappoints me because based on the reviews, the Carmel’s were on my short list for new speakers.

The Absolute Sound’s show coverage on the Carmel’s said “wonderful tone color, seemingly unrestricted dynamics (which wasn’t always the case with smaller YGs), super resolution (a house specialty), a thoroughgoing disappearing act, and an impression of deep-going bass that belied their size and form factor”... and Mt10425 (above) says “The best soundstage I heard was in the YG Acoustics (small) room.” Looking at the Enjoy the Music’s show coverage I was surprised to find that their picture of the GTT room showed a silver pair of Carmel’s versus the black pair that were in the room on Friday when I was there.

Is it possible that there was something wrong with the black pair?
The detail and speed on those YG's I heard (the silver pair) was incredible. But I worried that they might be a bit fatiguing to listen to for long stretches of time. Technically amazing, but also quite in your face when I listened to them. They demand your attention.
Raks, maybe they were not broken in. I remember listening to the silver pair saturday an loving it. Not as enjoyable Friday but still liked them. Take my memory with a grain of salt. I do not remember the speaker color Friday, probably black. I also loved the Crescendos as well. It was fun that Robert Lee rountinely asked the audience if they liked the them. That room's sound may have benefited from him being there to place the speakers. Dynaudio C2s sounded good, but there was too much room resonance.

I stuck around the Volti room as they're dynamic sound was a nice contrast to other rooms, and the best horns I heard at the show. A little shouty, still.
Hi Charles, sorry for the late reply. I didn’t spend enough time in the Volti room to give your questions the type of answers they deserve. I was only at the show for one day and was determined to pop into every room. That said, I can’t imagine anyone actually using these speakers in a room like the one where they were being exhibited. Still, I thought that they did a creditable job of soundstaging without being a too obvious source. I had no issue with their tone. I don’t recall what amp they were using. I know you’re looking for more and I wish I could oblige. Maybe the best thing I can tell you is that these are the kind of speakers that can make you forget why you walked in the room. It was that much fun listening to the music.
There were quite a few rooms with good sound in them. I liked both of the Volti rooms. The Sony's were very good. All of the MBL's sounded great. I heard a demo of the large ones with a master reel to reel tape and it was absolutely stunning. I've never heard anything like it. As usual, Audio Note sounded good. Others included in no particular order, but not limited to, Scaena, YG Carmel, Dynaudio C1, Joseph Audio Pulsar, the new model from Tyler (I liked them better than any of his previous speakers I've heard/owned), Vapor Audio Cirrus and Stiff Breeze (Stiff Breeze are an awesome speaker at <$1900 a pair), everything I heard in the Selah and Salk rooms, and the speakers from Waterfall Audio. The Seaton Sound room was good as well and are a fine value considering that they are triamped using onboard amps.

I have to disagree about the Legacy Aeris. I have owned probably ten pairs of Legacy speakers over the years and still own a set. I went to that room on four different occasions expecting to be wowed and was disappointed every time. The tweeters were hot and there was a resonance in the lower midrange. Those issues should have been able to be resolved with the room correction processor they use. I wanted very much to like them and quite honestly, didn't. Also, they are 17k, not 12k.

I am not a huge fan of panel speakers, but thought the King Sound King (12k)were outstanding, amongst the very best of the show irrespective of price. I am sure there are others I have missed, but overall most of the sound was pretty decent considering the circumstances.