Spatial Audio Raven Preamp


Spatial is supposed to be shipping the first "wave" from pre orders of this preamplifier in May, does anyone have one on order? Was hoping to hear about it from AXPONA but I guess they were not there. It's on my list for future possibilities. It seems to check all my boxes if I need a preamp.

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I own a Geshelli DAC and their new balanced headphone amplifier. Although value-priced, both products use the Sparkos (made in Colorado!) discrete op-amps, with a very large Class A operating region. If you’re going solid-state, this is an attractive approach.

The Raven is kind of the opposite: Zero feedback, all-triode balanced, using some of the lowest distortion vacuum tubes ever made (6SN7). What makes it possible are the custom-designed input and output transformers ... before that, Don and I were limited to off-the-shelf transformers, which in turn limited the selection of vacuum tubes that would be compatible with the circuit. The original Raven, designed way back in 1998, used tubes in the 5687/7044 family. These are very good, but are not as linear as 6SN7 family, and the subjective difference is pretty noticeable.

The zero feedback approach brutally exposes the sonics of every single part in the signal path, right down to the sonics of the volume control. Our custom transformers have outstanding sonics (subjectively), and a flat response to 30 kHz in-circuit. The Raven has a signal path of: a discrete-resistor volume control, wire, a balanced 6SN7 dual triode, and a custom output transformer. The unbalanced RCA inputs have their own custom input transformer for phase-splitting and ground isolation.

Zero feedback vacuum tube circuits are not for everyone. If tubes make you nervous, I can recommend the Geshelli with Sparkos discrete op-amps (if the low price doesn’t offend you). If you are very price sensitive, there are lots of Shenzen-made products for $200 or less, with ESS converters and pretty decent op-amps.

It might sound odd, but both the Geshelli and the Raven have a similar parts cost to retail price structure. Solid-state isn’t really that expensive if you buy the parts in hundreds to thousands quantities. And the expensive, heavy case with the 1/4" front panel adds nothing to the sonics ... that’s 100% marketing.

Tube circuits, though, get expensive very fast. Top of the line transformers are NOT cheap. Precision regulated 300 to 450 volt supplies aren’t cheap either. Tubes, by themselves, are kind of mid-price, but again, the top-of-the-line models aren’t cheap either. Vacuum tubes have always been handmade, even in their heyday in the late Fifties. Same for transformers.

None of this should be surprising. The majority of the solid-state market use parts that are made in quantities of hundreds of thousands to millions. This drives down costs. By contrast, the tube sector uses parts that are made in quantities of hundreds to a few thousand, several orders of magnitude smaller than the solid-state sector.

The transformers in the Raven preamp and Blackbird amps are all custom designed to work perfectly with the tube sets chosen.  They don't require loading resistors, and there is no need for a grid resistor on any of the tubes.  The number of parts in the direct signal path is very low and all are of very high quality.  You cannot get an off the shelf transformer to achieve these specs or operate that way.  You have to work with a very talented transformer designer to get what you need.

I used to think that rules-of-thumb applied to transformers. Well, no. Maybe in the Fifties when they were designed with slide rules, but now you work closely with the designer and their simulation software, followed by a sample build. Model, build, put on the test bench, send the complete set to Don, he re-measures and auditions, and repeat as often as necessary.

The Raven is now on the fifth version of the custom transformer set. As noted by Don, they are optimized for the 6SN7 in balanced mode and the most common range of loads presented by solid-state and vacuum tube power amplifiers.

The secret of transformer-coupled audio design is a close working relationship with the transformer designer. In effect, the circuit is co-designed with the transformer designer.

One of the great things about working with Don is he has good working relationships with key vendors, so we can get custom designs on a timely basis, and we know exactly how they were designed. This lets us further optimize our circuits around the custom parts, rather than work around an off-the-shelf part.