Spatial Audio Raven Preamp

My last question on the Raven Revelation preamp.

Does it support the Balanced standard, AES48?

I keep my amp far away from the gear. I also sold my Holo Serene preamp a few days ago (an excellent SS preamp) and now looking for a tube preamp to fill the void.

@yyzsantabarbara The Raven employs an output transformer so should support AES48. There is a correct loading for the output transformer that will prevent it ringing- you might inquire how that is handled.

Traditionally if the output transformer is designed to drive a low impedance balanced line, it will be designed to drive 600 Ohms. On older gear if the load wasn't present on the line there would often be a switch allowing a 600 Ohm resistor to be placed across the output of the transformer to prevent ringing. A that point a much higher impedance load (10K-100K) could be placed across the output with no worries about being able to drive it.

Perhaps @donsachs will respond with more information.

The Raven will drive any power amp with an input impedance between 10K to 220K, in either RCA single-ended mode (which uses half the transformer secondary) or XLR balanced mode (which uses the full secondary). The output transformer is optimized to deliver clean square waves over this impedance range.

As Lynn said, don't sweat long XLR cables.  The Raven will happily drive them.

Transformer coupled line amplifiers were the recording, broadcast, and television-audio standard from the Thirties through the Seventies. After that, discrete-transistor op-amps (discrete output transistors have enough power to remain in Class A with 600-ohm loads) became the industry standard.

[A bit of history: when 16 and 24 channels became the industry norm, tube line amps became impractical due to heat and size concerns. The first integrated op-amp specifically designed for professional use was the Signetics 5532/5534 released in 1979, while the discrete-transistor Jensen JE-990 became an industry favorite after 1980.]

The Raven is simply a modernized and fully balanced version of a studio line amplifier from preceding decades, with modern power supplies, computer optimized transformers, Khozmo fully balanced switched-resistor volume controls, and point-to-point wiring.