Speakers in 10-15K price range for Classical music

Layman:

I have found the Devore Fidelity Silverbacks and the Verity Fidelio Encores to be excellent at their respective price points for classical music. I feel the Silverbacks are actually a little better than the FEs for large scale orchestral works, but overall I preferred and purchased the less expensive FEs.

And of course the Verity Sarastros are just incredible for large scale orchestral music but too large and expensive for me. My friend and dealer (Don Better of Don Better Audio) told me that when his Cleveland Orchestra friends come over to listen to classical music, they all prefer to listen to it on the Sarastros. And Don has a lot of great speakers to choose from.

09-17-09: Macdadtexas said:

I think if you upgraded your amp first, and tried the Spendor or Maggie 3.6's again you would find them much different. Your integrated does not have the power to really open up either of those speakers."
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I couldn't agree more! In your original post you were looking at speakers in the 5-7 K range Before you double or triple your original budget on speakers I'd consider what a better integrated or separates might do with the Spendors or Quads..

just my 2 cents, but it might save you a lot of money:)

You can get a 10/10 new pair of JM Lab Alto Utopias here on Agon for $11k or $12k. they were running $23k last year before they were updated to the new line. Some are new from large volume dealers as they are getting rid of the old stock to place the new Utopia III line. This speaker does many things well and has a huge dynamic range. I drive mine with 500 watt monos and am not looking to replace any time soon(that is unless I get a fantastic deal on the next level up Nova Utopias!!).
Enjoy the hunt!
Pepe

Thanks much Layman, 4musica44107, Classical1 and Cajunpepe. Really appreciate the suggestions. Now I have a big list of speakers that I need to check out.

@ Classical1 - I haven't tried the Quad and Spendor at home, rather at the dealers who had much better electronics than mine.

I'll post my experience as I go along.

For classical orchestral and choral music, I would suggest you make a real effort to audition Shahinian Hawks or Diapasons. They are designed by their creator to model as closely as possible the sound of an orchestra playing in a concert hall. They provide an extremely convincing spacial and timbral recreation of that sound. In addition, they boast very dynamic, concussive bass, an enormous sound field, more sense of 3-d ambience than I have ever heard outside reality, and a string sound that is palpably rich, realistic, and velvety.
Very importantly, they will play very loud without strain or tonal variation. I can listen in my 2200 cubic foot room to Mahler's Eighth at close to actual live-concert-level volume (peaks of 108db) and the sound is as good, clean, undistorted, and easy on the ears as at 80 db. This takes a good amount of power and current though (I use 2 Plinius SA-100's).
The Shahinians are polydirectional above 250hz and use a transmission line woofer terminated with a passive radiator.
They do not do pintoipnt imaging. Of course, neither does the Berlin Philharmonic or Miles Davis. If you want razor sharp images, unlike the reality you hear live, these are definitely not for you.
There are no US distributors so these can be purchased only from the factory at about $12,000 for Hawks, $20,000 for Diapasons. A used pair of Hawks just sold for $3200 on Ebay.
If you listen primarily to large force classical music, or any acoustic music recorded well in a live space, Shahinian's top speakers (or even the Obelisk, at $6000) are very, very hard to beat.