2. speakers
  3. 167691-155971

Stands or no stands

Hello all. 
I have been living with my new Klipsch Heresy IV's for months now and I am really pleased. My question is this, should I stand mount them to bring them up off the floor a bit?

My Room has a concrete floor, standard drywall and stud walls, sound foam in corners on the system side, and back wall on the listening side. Drop ceiling tiles are a little better than average, the floor is carpeted. room is essentially 12'x15'.

My system is MoFi ultra deck into an NAD pre, to a McIntosh 240, and I've recently added an SVS PB 2000 sub. 

I understand that the Heresy's were designed to stay on the floor as is, but i can't help but wonder...

Thank you for any feedback.

128x128Ag insider logo xs@2xdoyle3433
mapman's avatar
mapman
22,199 posts
 
Try it and see. They are designed to get the bass reinforcement from the floor but you never know what sounds best until you try. 
russ69's avatar
russ69
3,505 posts
 
Put them up on cardboard boxes (original boxes would work) and see what you get before you spend money on beefy stands. Mine are happy on the floor. 
theaudiotweak
2,797 posts
 
The best I ever heard the Klipschhorns was when they were placed on the largest set of Starsound Sistrum platforms. They were still partially  loaded into the corners and probably 6inches off the floor. The box resonance of that large enclosure was given a way out of the system before its negativity was added to the sum of all the moving  parts. Remember a speaker box is an innocent criminal but will be found guilty as a passive radiator of all the harmonics of that speaker.  Sistrum removes interfering energy from every device in every system thru the process of mechanical grounding. Tom 

millercarbon's avatar
millercarbon
12,531 posts
 
So what you're saying, we can't punish the criminal until we remove the root cause of the crime? ;)  

How about you lock him up, and Rick and I spring him loose?
theaudiotweak
2,797 posts
 
If the 2 of U spring him or her out they will be back to interfering with the speed of sound in virtually no time. Tom
More to discover