MoFi Source Point 10
or
Fyne F701 (with patience, will show up used at the upper end of your price range.
Started with $1k speakers … what now?
I got into this hobby during Covid, browsing YouTube reviews my first speakers were Polk L100s and Sonus Faber Lumina 1s. Not bad as an entry point, but wondering what would be the next level is where a speaker is built with fewer compromises in the drivers and crossover design. My hope was that in the $5k range truer “hifi” entry points may be found in a small room system with a REL t5x. My source and amplification is already in the $5k range.
I visited a hifi store recently but was overwhelmed by the amount of choice and unsure what would be an upgrade based on first listening impressions alone.
Thanks in advance for any insights.
"OMG, Fritz is such a small time operator, that there are no used Fritz speakers says nothing about the brand." I would beg to differ for me it suggests owners tend to keep them because it is superior product. I just spoke with Fritz,he has been building speakers for 50 years and has built thousands of units, good luck finding someone willing to let go of them is what I’m experiencing. Aside from that we discussed the merits of the brand (including video review examples) at length earlier in this thread. Perhaps I misunderstood your comment? |
@jdavis234 you’re welcome. Do consider speakers’ overall design/approach rather than just designer/model name - everything you’ve mentioned is pretty standard (the Joseph Audio’s do garner good comments and I’ll admit, they’re nice… at a price). You haven’t mentioned considering actives or panels yet. If standmounts, panels seem an unlikely candidate but are worth hearing - they’re different. I’m not sure omnidirectional speakers are in your price range or would work for a small room, haven’t looked. They do neat (different) stuff too. If you only listen to more typical box-cone speakers, you’ll be limiting yourself to evaluating more nuanced differences in a “type”, so to speak. Start broader than that, and narrow down based on whether you discover a preference for transducer type. It can be a real thing. Also consider speakers that are floorstanders but require only the on-floor real estate of a standmount. Reason being, if you don’t get carried away and aim to overpower your room, it’s worth comparing models with greater driver surface area. This reduces drivers’ legwork between each crossover range. It can have a considerable effect on your in-room sound. Beware paying more for exotic cabinetry whatever the size of your speakers. KEF LS60 is past your price point, but a curious example of an active speaker that takes up the same floor real estate as a standmount and offers even greater individual driver control (being, of course, active). I don’t keep up with Genelec prices but they have a pretty hardcore niche following outside recording studios. Probably hard to find a “cleaner” small format speaker, but like anything, that’s to taste. And you kinda need a Star Wars-themed room for Genelec’s to blend in. Educate yourself on actives, panels, omni’s, whether or not they wind up being approaches you ultimately consider. With standmounts, you’ll do well to also educate yourself on how in-room bass can work since you may eventually want to implement 1+ sub(s). Probably worth a look:
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