Helcat, Kal, John Atkinson, "Sam Tellig," John Marks and other Stereophile contributors have participated from time to time at audioasylum.com, where Sean is also a regular. Sean has had some arguments with "Sam" and, in general, is one of the members there who seems to be very interested in audio reviewer "ethics" and Stereophile's policies.
I find most of these discussions rather tedious. Though I have had an argument with Kal regarding speaker frequency response (I like presence dips, he doesn't), I think all of the contributors to the print mags are decent guys, and almost all of the components they review are recommended because most things made and sold by audio manufacturers do what they are supposed to do. My only discomforts are with the increasingly stratospheric prices of the components they review and the proliferation of "Class A" loudspeakers (I think a lot of them belong in a lower class or are too expensive to recommend for the performance offered, but that's just the personal pov of a listener not connected in any way with the industry). It is unrealistic, however, for anyone to expect a component to be trashed in a review. There just aren't that many of them that are so bad.
Just remember that Stereophile is a buff mag published to entertain and to provide a vehicle for advertising. (There isn't anything wrong with advertising.) Unlike Sean, I would not pay more for Stereophile. I have less and less interest in component reviews anyway, but the components they are reviewing are just getting too expensive.
I find most of these discussions rather tedious. Though I have had an argument with Kal regarding speaker frequency response (I like presence dips, he doesn't), I think all of the contributors to the print mags are decent guys, and almost all of the components they review are recommended because most things made and sold by audio manufacturers do what they are supposed to do. My only discomforts are with the increasingly stratospheric prices of the components they review and the proliferation of "Class A" loudspeakers (I think a lot of them belong in a lower class or are too expensive to recommend for the performance offered, but that's just the personal pov of a listener not connected in any way with the industry). It is unrealistic, however, for anyone to expect a component to be trashed in a review. There just aren't that many of them that are so bad.
Just remember that Stereophile is a buff mag published to entertain and to provide a vehicle for advertising. (There isn't anything wrong with advertising.) Unlike Sean, I would not pay more for Stereophile. I have less and less interest in component reviews anyway, but the components they are reviewing are just getting too expensive.