+1 @lewm
It’s common in high end audio to try for oneself to find gear subjectively pleasing. Very few are so risk adverse that they insist on understanding why it works before purchasing, often insisting on proof aka pointing outwards when the fear of being wrong (losing money?) is inwards. No, it’s not courage.
In Stereophile Oct2024, even turntable set-up guru Michael Trei heard the positive attributes of a ViV tonearm.
Opinions and reviews are commonly active upon: try this dish, this movie’s great, watch out for the dog, etc, although higher risk usually leads to higher scrutiny.
I value sonic excellence and variety, so I plan to purchase a ViV tonearm. I’ve looked deeply at LT and am uncomfortable with the complexity, fragility, and fiddlyness. But I’ll probably get a LT to hear vinyl unstressed beginning to end which matters for orchestra crescendos.
On a side note, from the lengthy ViV Float thread, wouldn’t it be great if the stubborn naysayers would try a ViV tonearm for themselves. They’d be pleasantly surprised at the high sonic value. Also, hoping that they would use their substantial intellect to experiment to find answers - lots of fun taking on this challenge, answers that they would share to scratch our curiosity itch. Win Win Win