Svs sb17-ultra for music


How is the new svs sb17 ultra for music? 

Is a rel carbon special better.

I want a big woofer to match my jbl 4367

n_brio

Absolutely not a joke.. It was designed for music (and movies too)... I currently have a pair...very different design ethos, gets down below 20 hz, sounds nothing like the crap ported subs you may have heard.

On the same note, it is not your regular sub driver either. 300 watts is more than enough before it blew your pants off.

There are some jbl guys who like to diy horn loaded subs, etc. This would be a better option on the cheap, imo.

(Cons: it is huge, not for WAF living rooms, but, if the dude has a jbl 4367, he probably doesn't have WAF issues)

I’m hoping the post about the Tekton "Cinema" sub was either a joke or a troll post. A 300 watt ported sub that appears to be designed for home theater is not what you want.

Personally I would avoid any subwoofer that uses a passive radiator. Based on that reason alone I would choose the SVS. I agree with Big Greg that a subwoofer is going to excite the nodes/standing waves of your room, so you might want to have a plan as to how you want to deal with them. You will also want to plug the ports on the JBL’s

I had the SVS SB16 Ultra with my JBL 4365's, and it was an absolute treat! The sub was completely transparent. Highly recommend the SB17. 

Previously owned the SVS SB16-Ultra. For its size it's a capable sub, and it goes deep (~15Hz). However If one can put aside the typical expectations about the sealed design, i.e.: it being automatically a shoe-in for "hifi" - and exclusively so, there are other design aspects, not to mention physics/acoustics to determine the overall performance of a sub. Compared to other, substantially larger and higher efficiency subs - both horn-loaded and ported - I found the SB16-Ultra's to be marred by a bit of overhang and a somewhat reticent, less-than-stellar midbass performance. Reading up on the new 17"-series by SVS they're no doubt good and for their size quite powerful subs. Solid engineering all around, it seems, with even more amp power and some revisions to the driver design and DSP. A pair of them (always go for a pair, or more if you care to go DBA) will serve a good foundation, but I wouldn't rule out the ported PB-version being a contender wrt. music. 

@big_greg wrote:

I'm hoping the post about the Tekton "Cinema" sub was either a joke or a troll post. A 300 watt ported sub that appears to be designed for home theater is not what you want.

There's a lot of conjecture about "cinema" subs, or rather home cinema-capable subs. Mostly it simply comes down to a surplus in displacement area and overall size vs. "hifi" variants, and that they're sometimes ported. Mentioned Tekton sub houses a 300W amp, only about 1/10 of the SVS 17-series, but the design is more than 10dB sensitive, so those fewer watts will amount to more SPL-capacity at the end of the day. The real trick is the importance of higher efficiency, which is visibly apparent by the larger size of the Tekton when also taking into consideration that it offers less extension vs. the smaller SVS. Sonically I'd go so far to claim, even without hands-on experience, that the Tekton subs will integrate easier with the JBL 4367's due to the closer design semblance of the woofers. By comparison the SVS woofer is a decidedly low efficiency design with a higher moving mass (those 8" voice coils are monsters), a more important factor than whether a sub is ported or not. That's the price of deep extension from a small size factor; while more power and a more powerful woofer (which the SVS most certainly is taking kW's of power) can achieve infrasonics from a limited physical volume, it eats away sensitivity and dictates driver parameters not readily compatible with nimbleness of presentation. 

@deep_333 wrote:

There are some jbl guys who like to diy horn loaded subs, etc. This would be a better option on the cheap, imo.

Horn-loaded subs are altogether different beasts and bigger still. From my chair there are no better "audiophile" subs than horn-loaded variants when it comes to smooth, layered, effortless and enveloping bass reproduction. They're both less conspicuous in the mix and more shaking-the-air crazy powerful when called for, whereas direct radiation subs make themselves more known overall. The latter can be a quality to some ears with its more "thumping" and animating character, whereas horn subs have a more fluid omnipresence of bass. 

I am considering the REL HT1510 Predator for music. REL is having a big sale right now