Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
Can any of you explain why an item such as a fuse, which breaks the signal path, has such an impact on sound?
As far as I am aware no such explanations have ever been provided that would stand up when analyzed or considered quantitatively. That includes the extensive set of measurements of numerous fuses that have been provided in the past by HiFi Tuning, which I commented on earlier in this and other fuse-related threads.

Although of course all kinds of "explanations" can be, and have been, conjured up that by their nature cannot be analyzed quantitatively.

Also, even if differences in any measured parameters were in fact great enough in degree to have a reasonable likelihood of accounting for sonic differences in some applications, it would STILL not be explainable how they might consistently work in the direction of making a positive difference (rather than a negative difference or no difference), among components that are very different in design and perform very different functions and are presumably powered by AC having very different voltages and noise characteristics (those voltages in various cases most likely being both higher and lower than the voltages the components were presumably designed to sound best at).

And even if all of the above were in fact explainable, it would STILL not account for the sonically significant directional effects of fuses that have been reported.

On the other hand, though, the lack of a good explanation does not **necessarily** mean that the consistently positive results that have been reported for fuse upgrades are attributable to misperception, expectation bias, unrecognized extraneous variables, or more cynical factors. My guess, FWIW, is that in some cases the reported results are accurate, and in other cases are attributable to some combination of those other factors.

IMO.

BTW, my thanks to Wolfie and OP for the nice words in some of their recent posts.

Regards,
-- Al

If I were to devise an interconnect that had a "fuse" in it's construction, (would this same argument be made)... "it's a part of the signal path"?
almarg:,

Your post makes more sense (to me), rather than trying to explain, in some fashion, things that cannot be explained or measured, but can be heard by listening.

slaw wrote,

"Yes, I can see that.

Having said that, why don’t interconnects have a similar, instant, correlation? With interconnects, there is the obvious issues of break-in, the affect of insulation/dielectric, ... and so on.?"

Who says interconnects DON’T have a similar, instant correlation? That’s actually why we are seeing Graphene interconnects pop up, I.e., interconnects are sensitive to degree of conductivity, purity of conductor as well as RFI/EMI, magnetic fields and vibration. That's why we see such things as high purity silver conductors and seven nines purity copper. Just like fuses. That’s why some fuses use very high purity silver conductors and high purity silver end caps. Interconnects also DON’T necessarily have shielding or in some cases, not much of a dielectric/insulation, as per Anti Cables. Furthermore, I trust you are not suggesting fuses DON’T experience break in. 



geoffkait:,

"the fuse doesn't break the signal path, it is part of the signal path".

Can one assume this statement transfers to say, a tonearm wire (from cart to preamp?

In my system, the less "breaks"/additional connections, one has in the signal (regarding the path from a cart to a preamp), the better the sound.

Example: I fashioned a tonearm wireloom for my ET arm that took out two connections that I originally had. The sound quality improved by a wide margin.

Can this same/similar instance, correlate to the role a fuse has in the signal path?