Synergistic Red Fuse ...

Quoting Oregonpapa:
" They don't bother me a twit ... not a twit. After spending over 50 years in commissioned sales my skin is about a foot thick. I eat rejection for breakfast and come back at lunch and dinner for more."
Put another way:
--That's my opinion and I'm sticking to it.  Now don't annoy me with the facts.--

Fuses should not degrade, they should blow when required. Some here have gone so far (overboard) as to state that if your gear can be affected by a change in fuses, cords, etc. then there's something wrong with your gear: it's crap.

Saying that, then a fuse that degrades is crap as well. Why would anyone put a crappy fuse in such a vital area, knowing it's going to fail long before (if ever) required? It would also affect performance long before it ever blows.

Some counter arguments simply don't make sense. Not even on first blush. These boutique fuses seem to address the failings of cheap fuses by a more robust construction with attention paid to the rigors a fuse goes through when doing it's job, simple as it's been made to believe.

The only argument I see is how much of your hard earned cash are you ready to part with for the improvement. I've wasted more money on CD's that I ended up not liking than what would be needed to buy some SR Black fuses. I know the improvements made in my system with some old HiFi Tuning Silver fuses but I'm still on the fence as to amount of  improvement I'd get with SR Blacks for the price they charge. That's my only concern since I know fuses matter. 

If metallurgy is important in cable terminations, let alone wiring, then why not fuses? I just got so big an improvement with my speaker cables going from copper spades to rhodium over beryllium bananas on the amp end that it leaves my head wagging in disbelief. Again, why not fuses? Some of these counter arguments are becoming zombie like in their ability to be knocked down, only to come back again and again.
There should be a spin off on TV called The Aurally Dead.

All the best,
Nonoise

Why would anyone put a crappy fuse in such a vital area, knowing it’s going to fail long before (if ever) required? It would also affect performance long before it ever blows.... These boutique fuses seem to address the failings of cheap fuses by a more robust construction with attention paid to the rigors a fuse goes through when doing it's job....

Precisely. Which raises the question of why we have seen multiple reports in this thread of SR fuses blowing when they shouldn’t, and perhaps in many cases having to be chosen at current ratings higher than stock.

Regards,
-- Al

By the way, if any of you are Mel Torme' fans, I listened to this CD all the way through tonight. Its Torme' in his prime and a really, really good recording:

http://www.ebay.com/itm/Swingin-On-the-Moon-Verve-Mel-Torme-Torme-Mel-Good-/332150919452?hash=item4d...

Torme's is truly one of the great American song stylists. Its worth the entry fee to get to know his music.

Just ordered.  My 1st Torme CD.  :-)  Trying to discover artists before my time.

@oregonpapa Do you have any Dean Martin recommendations?  

Shadorne sez: ... 

"Have you not considered that a system that magnifies the impacts of a fuse is likely obscuring what is coming from the source? 
I regard audible effects from extraneous factors such as fuses to be distortion. I do not want equipment that magnifies distortion"

On the contrary Shadorne, there is nothing "magnified" by upgrading to a better fuse, especially "distortion."  What is/was being "obscured" is the purity of the incoming signal by using an inferior stock fuse. That "purity" is allowed to come through the upgraded fuse and we perceive it as less grain, a lower noise floor and more three dimensional realism. Its not a defect in the equipment, but a "defect," if you will, in the stock fuse. 

Are you one who also denies the efficacy of upgrading to better power cords, speaker wires and IC's?

How about upgrading tonearm wires? I upgraded my Well Tempered tonearm wires years ago, replacing it with the best copper wire that Cardas offered at the time. It was a significant improvement all around. Is it your belief that after changing the tonearm wire, the table was "magnifying distortion," and therefore revealed itself to be a defective turntable?? 

Another "tweak" I did was to change out the stock binding posts on my speakers for Cardas' best copper posts. Another significant improvement. What "distortions," in your opinion, were being "magnified" by the speakers after I changed the binding posts? And ... are the speakers defective because the Cardas binding posts allowed for a better signal to pass through, and as a result, offered a more realistic presentation?? 

How about spiking speakers to the floor? I remember when "Tip Toes" first came out back in the '70's. This was prior to anyone understanding the value of spiking speakers to the floor. The dealer at the audio store talked me into buying a set. I placed them under the speakers I had at the time and was truly amazed at the improvement those little aluminum cones/spikes made. What happened there ... did the Tip Toes simply "magnify distortions" in my "defective" speakers?  That's just silly.

If there was something in your post that I misunderstood, please lay it out. Thanks ...

Frank