Technics SL1000 MK3 (SP10 MK3) performance/value VS modern turntables?


I have a Technics SL1000 MK3 in beautiful condition and in it's lifetime has seen very little use.
I am ready to send it off for complete electronics restoration/upgrade, upgrade the speed control processor module and have the Krebs mods done.  Will cost about $2500.00 to have all this done.

I was wondering how this would compare to what is out there for modern turntables after all the work is done? 
Or, would I be better off selling it, and adding what I was going to spend for the upgrades to a new turntable?
I believe these should sell in untouched condition for at least $5K?  So that would put me in the $7.5K range for a modern table?

For tonearms, I already have:
New, unmounted Moerch DP8
Fidelity Research FR64S, in beautiful condition that I sent off to Ikeda/Japan and they re-wired (better silver wiring, I still have original wires) and completely tore it down and rebuilt/re-lubed.... it's just like a new FR64S.

I think this table would be hard to beat at the $7500.00 price point, but would appreciate others opinion.

Rick

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I have the TTM mat (thanks to Albert) and matching Oil Damped Stabilizer for my SP10R, and I bought the Micro CU-180 to compare. IMO, there’s no comparison. I found the Micro to sound colored and slow by comparison, so it quickly departed.
I’ll add that other mats I like are the Sakura graphite "The Mat" and the thicker Funkfirm Acromat. The former is laudably neutral although less dynamic and immediate on transients than the TTM; the latter has excellent dynamics, similar in that regard to the TTM, but loses some drive, bass weight, and definition. At least on my turntable.
I have and use on my turntables with excellent results: Sakura Systems The Mat, Micro CU-180, SAEC SS-300. All are great mats, Micro is the most beautiful (and most expensive).
@albertporter Thanks for that detailed info on the TTM Monitor mat. It’s the best dive heard as well. I have the shinier one, looks like the 2nd iteration, I’m glad I went through the trouble having a friend hustle me one from a local market seller in Moscow, was no small feat! I’m still hunting for the the oil damped clamp though, and have been using the Micro ST-10 for some years. Still want to hear the Micro gunmetal.

My other SP10 MK2A uses the Jeweltone / Nagaoka GL-602 Crystal mat, which is interesting but I haven’t truly compared to anything yet as they’re in different locations and different systems. (This is also discontinued but I found a guy in Czech Republic with some warehoused NOS, if anyone is interested shoot me a DM.)

I have also tried Funk Firm Anchromat and Herbie’s Way Excellent II mat.
Mats come and go, and it’s common for the best of them not to be recognized as such until they are no longer being produced, whereupon they become”rare” and the expensive. We audiophiles are a crazy bunch.