Dear Radicalsteve: IMHO both tonearms are very good depend the cartridge you mate with. Both are very flexible with different cartridges due to the different arm wans on the 500 and removable headshell on the 100 ( along with its adjustable damping. ).
I love the VTA mechanism on the 500 over the 100 and over many other today tonearms. I agree that both tonearms could improve its quality performance if we make a internal re-wiring, no I don't do it yet.
The EPA 100MK2 that comes with the same EPA-500 VTA mechanism has to me a Reference tonearm standard level and its effective mass is lower than the EPA-100. The bearing friction on the MK2 is almost inexistent and IMHO unique on the subject.
Technics ( a member of Panasonic and Matushita gigant. ) research and development team were second to none even in this days. THose tonearms, phono cartridges and its SP-10s TTs are a vivid " test " of that Technics dedication to the Excellence on the design and build execution of analog audio items that after all those years where were made today are still performing at high quality level.
I don't know if Fineaudio has " problems " with his EPA-100 or if he does not likes its performance with the cartridge(s) he own or maybe only want to try something different.
Anyway all of you already give him the precise answers he need it.
Regards and enjoy the music,
Raul.
I love the VTA mechanism on the 500 over the 100 and over many other today tonearms. I agree that both tonearms could improve its quality performance if we make a internal re-wiring, no I don't do it yet.
The EPA 100MK2 that comes with the same EPA-500 VTA mechanism has to me a Reference tonearm standard level and its effective mass is lower than the EPA-100. The bearing friction on the MK2 is almost inexistent and IMHO unique on the subject.
Technics ( a member of Panasonic and Matushita gigant. ) research and development team were second to none even in this days. THose tonearms, phono cartridges and its SP-10s TTs are a vivid " test " of that Technics dedication to the Excellence on the design and build execution of analog audio items that after all those years where were made today are still performing at high quality level.
I don't know if Fineaudio has " problems " with his EPA-100 or if he does not likes its performance with the cartridge(s) he own or maybe only want to try something different.
Anyway all of you already give him the precise answers he need it.
Regards and enjoy the music,
Raul.