Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
Here is the original quote from mykeryte that preceded the above also on 8/19:

"Okay sports fans, here we go with the comparison of Double Impacts that teajay has been listening to with my Wilson Sashas. Keep in mind, my Stereo Times publisher, Clement Perry, is working on the Double Impact review and I don't want to get in the way of what he has to say. With that being said.......

Allen Richards and I got together for this listening session and as was mentioned previously, we were listening with the VAC Renaissance Mk V preamp, two VAC Signature iQ amplifiers run in mono ( so that's 200 watts per amp) and I'm running Asus laptop with Fidelizer Pro (maxxed out at the "audiophile" level) and a custom NOS DAC built for me by Gilbert Yeung at Blue Circle Audio. I had been using Klee Acoustics cables throughout but discovered another little inexpensive gem from Tellurium Q called the Black II that I have been using on the speakers. Mike Kay's Archon Blue power cords are used on the amps and the preamp.

Allen and I bought the DI's in the house and laid them down as we began to listen to music on the Sasha's. We each took two tracks to listen to, and once we were done, we set the DI's up, if you want to call it that. Nothing too serious. The DI's were set up with the side of each speaker five feet from the side wall, seven feet between the speakers and the front of each speakers was ten feet from the front wall. They were spiked. We re-listened to the four tracks we listened to on the Sasha's. Initially, the sound from the DI's was uninvolving, bass was diffuse from the midrange and the highs, and pretty much just not a good listen. The Sasha's were clearly the better sounding speaker.

I shared with Allen that before I passed judgement on the DI's, they needed to settle into the carpet with the spikes, that I needed to spend a lot more time setting them up, remembering that we had merely set them up where we placed them when we bought them into the house, and that I need to do more experimentation the taps on the back of the amps. We were listening to the DI's on 2-4 ohm tap which is where they work best with the Sasha's and I suggested we listen on the 4-8 ohm tap. Allen didn't want to wait until later so I made the tap change right away. The improvement was immediate and it was not subtle at all.

We started off with the four tracks we listened to on the Sasha's and the DI's and the music sparkled with life and energy. There was a sense of verve and reality, with the music seemingly being performed "live" within the landscape of my listening room. The Sasha's has these attributes as well, but not to the same level as the DI's. What's remarkable to me is the DI's ability to sound effortless like a horn speaker, have the ability to "see into" the performance like good planars, and the the ability to convey the life-like realism of dynamic speakers, all at the same time. Though they do a fine job, the Sasha's couldn't quite match that.

The Sasha's deep bass performance exceeded that of the DI's if that type of thing is important to you. I need to move the Sasha's to the side, do my due diligence and devote some time doing some serious setup experimentation for the DI's in my listening room (25' X 16'). One last thing to add; I noticed a lot of you like using the SET or small powered tube amps to drive these speakers. That's cool. The sound of these amps has been quite impressive at teajay's on the DI's and Ulberchts. I just want to lend my two cents and say that the DI's can sound just as compelling with 200 watts/channel as they do with the lower powered amps. That's just my opinion and probably Allen's too. YMMV. "                       
My take is that Zero Fidelty says that this is one of those products that come with a lot of hype and actually delivers.He looks like a regular Joe that loves music and in his opinion it seemed like he was saying these are not $30,000 dollar speakers but they ARE a great value.The ability to use the DI's with such a wide range of amps is a super bonus but he did say that they do really well with lotsa watts.I think E.A./Tekton promotes that same point of view.
Hey Guys,

Regarding Zero Fidelty's take that the DI's are great in a lot of ways, but are not really at the same level of performance as 20 to 30 thousand dollar speakers, well, I sold off my 19K speakers and I know two other reviewers who sold off their 30K speakers and replaced them with the DI's.  

As far as the issue of using SET amps or high power amps on the DI's or Ulf's it completely comes down to personal taste.  One of the great virtues of both speakers is that you can use low/high wattage to get what you want. 

With much love to both my brothers, Micheal and Allan, they both adore   FREAKING loud volume levels when listening to music.  Even though I have no problems with dynamics/dB levels in my system, when they come over and decide what volume level to set the system to it is almost always much louder then I would play it for my own personal taste.  These guys like it really loud! Therefore, they might assume that you need a lot of watts for the DI's/Ulf's to make them "sing", however, at least in my system this is not my experience.


As usual, well said teajay.

 In my younger days I preferred big SS amps in order to reproduce live concert sound levels. Hopefully I didn't damage my hearing too much! Now I prefer much lower listening sound levels with peaks in the high 90 db's so flea amps work best for me and I'm grateful the DI's perform equally well with either type amp. Even though I currently enjoy the sonic benefits of small tube amps I can definitely appreciate the appeal of a good high powered SS amp. As teajay stated there's no right or wrong, just personal preferences. 

I personally don't know how the DI's stack up to $20-30k speakers as I've never owned speakers in that stratosphere but I trust the opinions of those here that have. I do know that after many years of owning many very good speakers the DI's are my favorite. I'd say they are my forever speakers, but the DI SE's might be in my future :)
Not to put words in his mouth, but I honestly think that zero fidelity just played it safe. Would have been too big a backlash from people that a $3k speaker was better than some $30k speakers, so he added that and saved himself a lot of "you don't know what you are talking about" and people calling him a homer. He said in about as strong terms as he could without offending the "expensive speakers are inherently better" crowd. Just my opinion though.