@kevn
I have a couple of tracks I listen to for mids.
Leonard Cohen - A Thousand Kisses Deep
He has a deep voice normally, but it's particularly deep on this track. The upper register of his voice is what I listen to. I listen for how open it is.
Sade - Pearls
She has a wide range in her singing on this track. Starts dark and rich and goes to some lovely highs. I listen for how clearly the middle part of that comes through
Rockers HiFi - Going Under
Like most electronic music, it has some extremes. Singer again has a dark register. I listen for how well the upper range of his voice comes through.
Bill Charlap - Stardust
Shirley Horns voice has a ton of air in this recording. I listen for how well it "floats" above the instruments.
And, of course, anything Ben Webster :)
I have a couple of tracks I listen to for mids.
Leonard Cohen - A Thousand Kisses Deep
He has a deep voice normally, but it's particularly deep on this track. The upper register of his voice is what I listen to. I listen for how open it is.
Sade - Pearls
She has a wide range in her singing on this track. Starts dark and rich and goes to some lovely highs. I listen for how clearly the middle part of that comes through
Rockers HiFi - Going Under
Like most electronic music, it has some extremes. Singer again has a dark register. I listen for how well the upper range of his voice comes through.
Bill Charlap - Stardust
Shirley Horns voice has a ton of air in this recording. I listen for how well it "floats" above the instruments.
And, of course, anything Ben Webster :)