The Beatles Revolver

I bought the other three and I’ll buy Revolver when it comes out.
 

Nuff said.

What he did with Beatles at the Hollywood Bowl is a game changer. But lots of liberties were taken. Small parts weren’t from the actual live recording. I own it...I love it. You can hear how hard Ringo hits.

His Abbey Road reissue sounds great and punchy and you do hear things not before heard but it does sound like a modern interpretation as someone earlier in this thread put it.

In the end I prefer the original recording. It has stood against another previous reissue as well. Something is gained but no doubt something is lost. I can’t put my finger on it but there it is.

ANYTHING released from Beatles, Stones and a few select others is simply

TIRED, BORING and a money grab for whoever decides it's time for a new "super" release.

Spend the money on a minty first press-at least that's got SOME kind of intrinsic value. Play it once to put it on you NAS setup or CD. Now you can enjoy endless perfect LP sound along with an album that will be worth $10 bucks more in 50 years.

I fundamentally reject altering someone else’s art as a means of updating it for modernity as a replacement, in this case, if it were being done so that forever more we hear nothing but the new stereo product.

“Is Revolver remixed in multi tracks still Revolver?”

Absolutely not.

Yet I welcome a respectful experiment that gives us an opportunity to appreciate their art from a different angle, so to speak, that illuminates their art such that we can better appreciate the original.

The things is, we’re at a remarkable threshold of technology.

So-called ‘AI’ (which at present is really only brute force machine processing with no intelligence at all and requires a knowledgeable human handler who necessarily must add his input) does have the capacity to do things we could hardly imagine.

Consider what Peter Jackson did by steadying and colorizing WWI footage.

If, in say, 1975, one went to The Beatles and explained that it were possible to ‘correctly’ do the transfer from mono to stereo, as with today’s technology, I wonder what they would have replied, and I readily admit that their answer might well have been no.

I’d like to hear Paul’s and Ringo’s opinion on the matter; in fact, they should be involved in the project.

I’m not against remixes in general. It wouldn’t be done if Paul, Ringo, Yoko and Olivia didn’t approve it.

The Beatles were one of the first groups to push the envelope on what could be done in the studio, so it seems likely to me that they would still want to push that envelope.

Geoff Emerick, who was the engineer on many of The Beatles’ albums, says the guys were always pressing him to get different sounds for their songs, to the point where other engineers didn’t want to work with them because they weren’t happy if you couldn’t produce the sound they wanted. Oh, and they worked late and did marathon sessions too.

So, I’ll give it a listen and keep my copy of the original mix too.