Clavil said:
"I believe because when you hear a lot of details, pink and white noise on the strings for example, the sound can become a little bit agressive in the mid-high range and the whole picture may not appear so organic ...
it's like standing on the podium in front of a symphony orchestra, your hear "strange" noises and sitting in the hall on the 21th row where the whole acoustic information arrives mixed at your ears ... and loses some details"
If the violins' sound contains pink and white noise, then something is wrong. I suspect you're talking about the edge on the sound when string instruments are heard up close. I play trumpet in orchestras, so I know very well the sound of which you speak, I think.
If the mics were set so close that you hear that, then I want to hear that. Starkers Bach Suite recording has that, along with him breathing and his fingers on the fingerboard. It's like he's playing for me in my living room (I've heard cello in my living room) and I want to hear that.
It's the reoording engineer's choice. Most give a slightly more distant perspective which I also find pleasing. I want my sytem to give me whatever the engineer was aiming at. If the perspective seems too close then I can always move my chair back a little. I don't want my CDP messing with perspective or smoothing or rounding the sound.
Dave
"I believe because when you hear a lot of details, pink and white noise on the strings for example, the sound can become a little bit agressive in the mid-high range and the whole picture may not appear so organic ...
it's like standing on the podium in front of a symphony orchestra, your hear "strange" noises and sitting in the hall on the 21th row where the whole acoustic information arrives mixed at your ears ... and loses some details"
If the violins' sound contains pink and white noise, then something is wrong. I suspect you're talking about the edge on the sound when string instruments are heard up close. I play trumpet in orchestras, so I know very well the sound of which you speak, I think.
If the mics were set so close that you hear that, then I want to hear that. Starkers Bach Suite recording has that, along with him breathing and his fingers on the fingerboard. It's like he's playing for me in my living room (I've heard cello in my living room) and I want to hear that.
It's the reoording engineer's choice. Most give a slightly more distant perspective which I also find pleasing. I want my sytem to give me whatever the engineer was aiming at. If the perspective seems too close then I can always move my chair back a little. I don't want my CDP messing with perspective or smoothing or rounding the sound.
Dave