@tomic601 - yep, there was that ARC v. C-J what sound are you after. I didn't keep up with C-J; met Bill Thalmann years later as an independent. The ARC stuff changed several times- they had that "analog module" or whatever it was called (one of the times I got to meet Wm. Z) and they went into their "white period" at a certain point-- sort of bleached, dry, more analytical. I don't really keep up with ARC either. I did buy a stash of parts, including tubes, for my ancient Dual 75a (which I am the first owner of, still have the warranty card and price list) before the company got sold the first time.
The history of audio equipment is itself sort of a field of endeavor. I think I mentioned I was chatting with a designer of that Quintessence, and he built crossovers for ESS back in the day, and is still designing and making equipment.
I did get to meet Peter Walker many years ago- he was pleasant, but I didn't rattle his cage. So much history, and I only know the obvious stuff.
Somebody I knew at the gym had a pair of Dayton-Wright electrostatic in non-working condition. Go figure!
I'll bet even 1/2 a Concert Grand could kick ass.
The history of audio equipment is itself sort of a field of endeavor. I think I mentioned I was chatting with a designer of that Quintessence, and he built crossovers for ESS back in the day, and is still designing and making equipment.
I did get to meet Peter Walker many years ago- he was pleasant, but I didn't rattle his cage. So much history, and I only know the obvious stuff.
Somebody I knew at the gym had a pair of Dayton-Wright electrostatic in non-working condition. Go figure!
I'll bet even 1/2 a Concert Grand could kick ass.
