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  3. 131672-481

The new Synergistic Research BLUE fuses ....

New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
chrshanl37
835 posts
 
Perhaps, but I give blind testing more credence than sighted. But thats just me...carry on fellas.
gdhal's avatar
gdhal
1,641 posts
 
geoffkait - Which is why any test, blind or whatever, is of no value taken by itself.
The value is James Madison X5.
geoffkait's avatar
geoffkait
23,365 posts
 
Exhibit A

Excerpt from article in Stereophile Magazine July 2005 by Editor John Atkinson on the dodgy subject of blind tests and the validity of same.

“In the summer of 1978 I took part in a blind listening test organized by Martin Colloms, in which the panel tried to distinguish by ear between two solid-state power amplifiers—a Quad 405 and a Naim NAP250—and a tube amp, a Michaelson & Austin TVA-1. The results of the test were inconclusive, the listeners apparently not being able to distinguish between the amplifiers (see HFN, November 1978). Having been involved in the tests, having seen how carefully Martin had organized them, and having experienced nothing that conflicted with my beliefs, I concluded that the null results proved that the amplifiers didn’t sound different from one another. I bought a Quad 405.

However, over time I began to realize that even though the sound of my system with the Quad was the same as it ever had been, the magic was gone. Listening to records began to play a smaller role in my life—until I replaced the 405 with an M&A tube amplifier two years later.

The lesson was duly learned. Whether or not they can be told apart under blind conditions, amplifiers can have a major effect on a system’s sound quality. And more important, normal listening had revealed what the blind test had missed. I told this anecdote at the debate to make two specific points. First, it demonstrates that my following the then-as-now "objectivist" mantra—that audiophiles should buy the cheapest amplifier that offers the power and features they need—had let me down. Second, it pits against one another two core beliefs of the believers in "scientific" testing: 1) that a blind test, merely by being blind, reveals the reality of audible amplifier differences; and 2) that sighted listening is dominated by nonaudio factors, the so-called "Placebo Effect."

To explain my quarter-century-old Damascene experience, you have to accept that either the blind test was flawed—in which case all the reports that cited that 1978 test as "proving" the amplifiers sounded the same were wrong—or that the nonaudio factors were irrelevant, in which case the criticisms of sighted listening based on that factor must be wrong.”
jetter
3,026 posts
 
geoff, "No man is an island. He’s a peninsula."  A pretend major slip up by mister Kait.  After Bathing at Baxters, circa 1967.  Except none of us are naïve enough to think you didn't want to let it slip.  Too shy to come clean with your fellow degenerates?  
geoffkait's avatar
geoffkait
23,365 posts
 
I’m sure I don’t know what you’re talking about.
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