Look, professor, you can’t have it both ways. Either fuses make a difference and are audible or they’re not. Make up your mind. Stop sitting on the fence. Hearing is a human sensory perception - that’s how we observe our audible surroundings. That’s how we distinguish various levels of audio performance, by listening. Humans easily distinguish types of car engines, types of aircraft engines, types of bird calls. Why not fuses. Is everyone lying? Are 70,000 people under hypnosis. Seems rather unlikely. What does seem likely is that your a pseudo skeptic who is grasping at straws. What we have is 70,000 happy campers and several stubborn pseudo skeptics who don’t know when it’s time to wake up and smell the coffee. ☕️
The new Synergistic Research BLUE fuses ....
New SR BLUE fuse thread ...
I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.
1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.
2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.
3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.
I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.
4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.
Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.
http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...
Overall impressions:
Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.
Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.
Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)
Frank
PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.
Frank
I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.
1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.
2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.
3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.
I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.
4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.
Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.
http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...
Overall impressions:
Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.
Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.
Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)
Frank
PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.
Frank
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- 2978 posts total
geoffkait"Look, professor, you can’t have it both ways. Either fuses make a difference and are audible or they’re not. Make up your mind." They will not make up they're minds because then they would have to actually defend they're ideas opinions and positions which would be more difficult and challenging then just coming here and stirring the pot to further argumentation among particpants! |
clearthink, If you could reformulate what amounts to your "complaints" into an actual coherent argument against what I’ve actually argued here, then we could have a discussion. If you could actually point to anything I’ve written - not something you imagined I wrote but that I actually wrote - as untrue, or unreasonable, then your complaints may have some footing. But until then....you are just complaining when someone voices skepticism. boo-hoo. geoffkait, Look, professor, you can’t have it both ways. Either fuses make a difference and are audible or they’re not. Make up your mind. Again, you’ve confused yourself. The only way you could imagine I’m trying to "have it both ways" and can’t "make up my mind" is that you’ve confused a real dichotomy with a false dichotomy. Real dichotomy: Fuses make an audible difference or they do not. False Dichotomy: You have to either BELIEVE fuses make an audible difference or BELIEVE they do not. See the rather important difference there? Something may be true, or not true, but that OBVIOUSLY doesn’t entail you must accept one or the other, before having good reason you know which is true! If a new medical treatment for high blood pressure is proposed, well it’s either efficacious or it isn’t. But how does a rational people decide this? "Let’s take a vote! Who believes it works, who doesn’t? Ok, that’s 45 for the proposition it works, 20 for the proposition it doesn’t work. It’s settled then, our new blood pressure medicine works!" Of course not, right? You withhold your conclusion UNTIL the good evidence comes in. (Though, given your website, which until recently I thought was entirely a lark, I’m starting to infer maybe you don’t actually understand these basic principles?) Your argument is absurd. Humans easily distinguish types of car engines, types of aircraft engines, types of bird calls. Why not fuses. Is everyone lying? Another false dichotomy from you, geoff. If the sonic difference between fuses are not audible, the choice isn’t between people "lying" or "telling the truth." They can simply be "mistaken" and that is the variable some of us skeptics are raising. (And it’s amazing the resistance people here have to just considering they may actually...gasp!...be mistaken! And ironically it’s the skeptics that they imply are arrogant.) I wasn’t "lying" when I thought certain cables sounded completely and obviously different from others in my system. But my subsequent testing suggested I WAS mistaken. (When tested "blind" and I didn’t know which cable was being used, there were no such obvious differences allowing me to identify any difference). The sonic differences between cars, people’s voices, bird calls etc are large and understood to be well into the threshhold of audibility. And you can measure those differences. (In fact, just now I’m going through various jet sounds for a show I’m doing sound for, and the waveform output and frequency profiles are obviously different). But the claim of sonic differences between audiophile boutique fuses and regular (competently employed) fuses in a component is not so well established, and is in fact an area of controversy. And if the type of measurements pointed to earlier in the thread are the best we’ve got in support of the claim, then they still leave plenty of room for doubt (the inadequacies have already been pointed out, and they amount to the fact that even the attempts of the author to explain their effects were highly speculative, and did not even demonstrate the *audible* difference in either case). And then if all we have beyond that are audiophiles saying "I heard a difference" then, as I say, this doesn’t rise above the level of "evidence" discerning from perceptual error/bias effects, that plague so many other tweak-claims. Are 70,000 people under hypnosis? Are a hundred million people believing the claims of homeopathy under hypnosis? ^^^^ Please recognize the reductio ad absurdum this time, geoff ;) That is, presuming you understand homeopathy is bunk....which I admit it may not be so wise to presume...;-) Geoff, do you really not understand at all why there is the scientific method in the first place? If researchers want to get confirmation (strong evidential support) that a medical treatment is efficacious - whether it’s homeopathy, or an allergy treatment or whatever - do you think they just give it to people and ask "Well? You’ve received treatment for your problem, how do you feel?" No. They set up blind and double blind studies, control groups on placebos, etc. Do you know why they do this? Why simply taking the subjective report of people, without reducing the variables of our well documented forms of bias....isn't a good method? And do you not know our perceptual biases extend everywhere, including to audio? Do you know why, for instance, when you go for a hearing test it’s a blind test? (You aren’t given any other visual cue as to when a tone is being played)? And...again...yet again!...do you understand that none of the cautions I raise in support of my skepticism amounts to my claiming fuses "don’t make a difference?" Is nuance that hard to grasp? |
Uberwaltz…the components you describe were improved or tinkered with because they actually do have an impact on the way things work, engineers and designers know that…cable capacitance/resistance, ratings and formulas for caps and things, transformer design…all have a tonal role in the sound of gear. Fuses don't, and really, I doubt designers care about them beyond the ratings and placement…if they're not working properly things just shut off, or of they're poorly made they can blow when they shouldn't (trust me on that one). That's what they do and coating them with stuff, bombarding them with high voltage mojo inducing silliness, putting precious end caps on 'em…still…it's a tiny wire trying not to melt. That's it. All one can do is claim they do things to some utterly exaggerated degree because you paid through the nose for a $2 fuse, and you really need to feel that something's happening. It's a poor little fuse, or a Littelfuse, or it's blue…tiny wire, no tone controls or magic current massage…no nuthin' except hype by hard sell. |
- 2978 posts total