"Do you realize that you have just noted that every great speaker designer is absurd, that the laws of acoustics are flawed. Don't listen to me. Get The Loudspeaker Handbook by John Eargle. It is written in terms most lay people can understand. Learn what you are talking about before you spew out ridiculous concepts. The British don't like music? I think you need to listen to V.W.'s The Lark Ascending"
Sir Thomas Beecham is a far greater authority than me, and I suspect, even you! It was his quote. If it were mine, I might substitute audiophile for British!
I have many copies of The Lark Ascending, and one of my favourite flicks is the Australian "The Year My Voice Broke" which uses it poignantly, and has just been reissued. Vaughan Williams could write almost anything, from his Fantasy on a Theme of Thomas Tallis to his sixth symphony, which is exactly my age. The latter opens with shattering intensity, swerves into jazz rhythms, and ends like Holtz' The Planets.
I note with some disappointment that you choose to criticise the person, rather than debate the specific technical points I raised. For example, what is your answer to the complete cancellation of two drivers half a wavelength apart, which you claim act as one drive? This is pure physics, simple to understand by anybody who knows what a sine wave is.
Of course, this really is a problem with almost all speaker designs, so not too many want to talk about it.