I would like to explain the basic principle behind Outriggers or spikes under the speakers, so that each of us can answer the question of "need" for ourselves. Basically, when a woofer’s motor structure (this means the magnet and voice coil) applies force to the cone, causing it to move in and out, the woofer itself has enough mass that an equal-and-opposite force is applied to the entire speaker cabinet. If the bottom of the speaker cabinet is not firmly coupled to the floor and rigidly stable, the speaker will rock in the opposite direction as the woofer, causing inaccurate sound from the woofer (primarily Doppler distortion). So we apply cone feet under the speaker, to stabilize it, and even better, puncture through the carpet to the floor itself. We are simply trying to make sure there is not even very slight cabinet motion possible, under the force of woofer motion.
Since Thiel speakers have a relatively small footprint compared to their height, it can be helpful for the cones to be situated farther apart than the depth and width of the cabinet. The Outriggers help in this regard, compared to simply adding cones under the speaker, due to their greater separation distance, as well as their firm attachment to the bottom of the speaker.
But, however you stabilize each speaker, if you cannot rock either one, and so they are firmly unable to move even the tiniest bit, then you have accomplished this "rigidly stable" condition, that I am claiming is so important to producing accurate bass. A well known TAS reviewer from the 70’s and 80’s, Enid Lumley, claimed she stabilized the speakers by hanging them from the ceiling with fishing line. She claimed that the weight of the speaker, and the long length of the line, did the trick, PLUS decoupled the speaker from the floor completely, so there was absolutely no interaction of vibrations in the floor with the speakers. I have noticed recently there is a growing number of audiophiles applying heavily damped, but not rigid, feet under speakers to accomplish this. This is a current "fad" that is growing in popularity. But that is another story, beyond this spike/Outriggers explanation.
By the way, Enid’s speakers were Magnepans, so their moving panels had lower mass, and therefore applied lower "equal and opposite" force on the cabinet, than cone woofers.
--Warren (aka "Sandy")