Thiel Owners

JM - I'll chip in with a personal anecdote. When the Classe DR6 /DR9 setup was new, Thiel used it in demos with a pair of bridged DR9s. I still have and use those amps. The Classe replaced Threshold 800s. Thiel outgrew the Classe sonically and went to Mark Levinson and then Krell, with Bryston in the mix for our lower cost products. Although we didn't use Pass officially, Jim and Nelson held mutual respect and Nelson used some Thiels as development test loads. I have not heard the 250.8, but would expect it to considerably outclass the Classe.
All that said, I am still amazed by how much more improvement can be attained by solving room issues. In fact, many or most of my niggles with amps, cables and recordings have evaporated after running down and fixing room issues with FuzzMeasure and trial and error.  

^i completely agree!

thanks for the historical info. Great stuff to hear..no pun intended ha

I don’t have much too trouble with my CS2’s in my 13x22 room, they are along the long wall about 8’ apart and my listening position about at the equilateral triangle point. Room is well deadened with panels and the CS2’s throw a remarkable very wide and accurate stage. I am struggling a bit more with the Magi 3.7’s, as I think they want even more space...still working on that although they sound very good especially those sweet mid and highs...well what highs my slightly older ears can hear of the highs anyway...
I still think the Thiel’s may have an edge with the right recordings and, quite likely, as a result of the placement challenges you mention but it is close. I am a bit concerned if I go to the 3.6’s they may suffer due to the room situation so also considering one of the later 2 series as I think I will always have to have a pair of Thiel’s  available for me...ha...good listening

Ps...I haven’t tried FuzzMeasure but will definitely explore...thx.

jm - FuzzMeasure is similar to Room Equalizer Wizzard. It seems that REW has many more adherents in hi fi land. I got FM because JA used it extensively in his Stereophile graphs, and it works well for my semi-pro room optimization work in recording sites, studios and theaters.
FWIW: I've been working on my CS2.2s, because I have them, as my main workhorse to develop upgrade paths for some classic Thiel models. Everything learned will apply to the CS2. So if you love yours, you might keep them and see what we can eventually make of them.