"I think a Graham 2.0 or 2.2, or top SME arm is going beyond what the Tarantella can do. You will have more tonearm than you do turntable."
Well put, Twl, if I may say so. I lived with just such an analog source for a few years way back in the seventies: a Decca London Export cartridge in an International arm (both good for their time) with a Connoisseur BD1 kit-built turntable in a homemade plinth. (Wry smiles all round--and the occasional grimace!)
The setup was quite dynamic, but the low-level detail that creates an image and gives instruments their lifelike quality was, well, obscure. And I will never forget the finickiness, the apparent fragility due to the fact that it picked up every single movement or vibration, and the vulnerability to footfalls.
Well put, Twl, if I may say so. I lived with just such an analog source for a few years way back in the seventies: a Decca London Export cartridge in an International arm (both good for their time) with a Connoisseur BD1 kit-built turntable in a homemade plinth. (Wry smiles all round--and the occasional grimace!)
The setup was quite dynamic, but the low-level detail that creates an image and gives instruments their lifelike quality was, well, obscure. And I will never forget the finickiness, the apparent fragility due to the fact that it picked up every single movement or vibration, and the vulnerability to footfalls.