Transimpedance has too much gain?

@mijostyn ​@lewm  unfortunately I DK t have another cart to test.  The album I specifically mentioned I’ve owned in cassette, cd, Lp in several versions/masterings. It’s always been a good sounding album. It still is a good sounding album other than this issue. I have been trying to see what interaction is causing this.

i have a few things I’ll try tonight when I get home. 
 

after that, not sure what to do.

In the RIAA specification, frequencies from 20 to around 500Hz are boosted with a slope of about 6db/octave. At 500Hz to 2kHz, there is a plateau; those frequencies are not boosted. Then from 2kHz on up, the boost resumes at the same slope. If you are accurate in placing the peak, then maybe there is something askew with the RIAA (there may be no plateau for frequencies between 500Hz and 2kHz due to a faulty IC or whatever), but you have also to take into account that your other LPs sound good. That really suggests that either you are particularly sensitive to the instruments and the voice on those few LPs that bother you, or that they are otherwise the source of the problem. Others might also suggest you check all aspects of cartridge alignment. By the way, not many male vocalists (except castratos, maybe) can get up to 2kHz or even 1khz. So maybe your issue is lower down in frequency than you estimate.

To amplify on what I wrote above, Mijo is correct roughly speaking to say that as internal R goes up, gain using a current driven stage goes down, but this is because the voltage output divided by the internal R gives a rough approximation of current output of the cartridge. So as R goes up, if you hold voltage output constant, current output goes down. The other factor is the actual input impedance of the current driven stage. An ideal current driven stage would have zero input impedance. But that is not feasible; if input Z is zero then the signal will go to ground. That is the equivalent of a mute switch. So, all of these stages have some finite input impedance, and manufacturers are not good at revealing numbers. The actual input impedance of the stage will have a big effect on the efficiency with which the stage is actually driven by current. Typically, the impedance is between 1-2 ohms to as high as 10-20 ohms. If you mate an LOMC with an internal R of 2 ohms to a "current drive" stage with an input Z of 20 ohms, then you get voltage drive, depending upon the sensitivity of the input to voltage. This is why I hate the term "transimpedance", which implies that impedance doesn’t matter. It most certainly does make a big difference in the success or failure of these cartridge/phono stage matches.

Thanks @lewm  I will run a couple tests tonight. 
 

I know little to nothing on things electrical but what you said makes sense.

should know more later.

@gochurchgo I wasn't familiar with that Love album but listening to it on streaming it is easy to see how that guitar could quickly become irritating.  I don't listen to that kind of music but I have had other preamps that produces what I call glare in that same frequency band.  It would only happen on 10-15% of the tracks I played but I couldn't stand it and I ended up selling that gear.  Sadly, all I can tell you is I'm not hearing that with my Spinstage.  Assuming you like everything else about it I would return the unit and get another one.  @lewm's suggestion that there might be a faulty part effecting the RIAA curve is plausible to me.

Also, I think the Lino C only takes balanced inputs.  No idea if your turntable supports that but it has stopped me from trying one.

@pinwa  thanks. I may do that.