i did a load of reviews of phono stages in 2005, and came to the conclusion that one should not try and differentiate between tube and solid state, but on the sound you like, and whichever stage delivers that sound, that's the one you want.
An important thing to consider is synergy. If you have a lazy/soft/syrupy pre-amp and power amp, a good solid state design like a Tom Evans groove may do the trick to inject some slam.
Nothing is perhaps more important than synergy.
I personally think that of the stages I have listened to in the £500 - £2500 range the two that stood out for me were by Whest and Paul Hynes, but they are not cut from the same cloth. the Hynes (tube)was musically relaxed and effortless, the Whest (solid state) was musically exciting and dynamic - oh yes deathly quiet too.
I recommend you also hear an Art Audio stage - very nice indeed.
whatever you do, get the dealers to lend you the equipment to put in your system.
Lohan
An important thing to consider is synergy. If you have a lazy/soft/syrupy pre-amp and power amp, a good solid state design like a Tom Evans groove may do the trick to inject some slam.
Nothing is perhaps more important than synergy.
I personally think that of the stages I have listened to in the £500 - £2500 range the two that stood out for me were by Whest and Paul Hynes, but they are not cut from the same cloth. the Hynes (tube)was musically relaxed and effortless, the Whest (solid state) was musically exciting and dynamic - oh yes deathly quiet too.
I recommend you also hear an Art Audio stage - very nice indeed.
whatever you do, get the dealers to lend you the equipment to put in your system.
Lohan