Upgrade: Turntable or Cartridge?

Dougdeacon: You are right, that is the best way to deal with the problem. In fact, that is what I normally do, but at times I get a bit lazy and try to turn it off with one hand. Sometimes I can get away with not moving the motor, other times I can't. Only way to be sure is the use both hands every time. A definite inconvenience, but oh well. Just to be clear, the motor is definitely not moving during playback. The only time it happens is when I move the motor myself while turning it on or off. However, putting something like a rubber mat or tape underneath may allow turning the motor off with one hand, and even further isolate vibrations coming from the motor.

Sballs: I too thought about the CMB upgrade. It looks like it currently sells for around $400. Would you say it's worth the cost? What types of improvements did you notice? I had been thinking of saving my pennies for a few months, then upgrading to a VPI Classic 1. I've read so many good things about it.

Lewm: Good ideas. I may try the duct tape, but as I said, the movement only really seems to happen from my own hand pushing it to the side while turning the motor on or off.

Hcalland: What types of improvements did you notice with the upgrades? My fear is that I could dump money into an old turntable that already can't sell for much, and that the money spent on those upgrades will get mostly lost during resale.

As for an update on the cartridge, I think it sounds fantastic so far. I probably have about 15 hours on it, so it still needs more break-in time, but man, what a step up in bass control, extension, impact, and dynamics over the Grado. This isn't to say that the Grado is a bad cart, it's just easy to hear how "romantic" it sounds compared to a more honest cart like the Dynavector. The Dyna has an extremely engaging sound, very lively, detailed, lots of inner detail, but never harsh or bright. It's strange to hear a presentation such as this, since often "lively" and "detailed" are accompanied by "bright" and "harsh" to even a small extent. It really has me wondering how much more sound I can extract out of the cartridge with a better turntable.

Nice choice on the Dynavector 20x2L. Should be a very nice match with your setup.

Hcalland: Which model of Mapleshade feet did you use on your Emotion TT, and what are they sitting on?

In fact, that is what I normally do, but at times I get a bit lazy and try to turn it off with one hand.

Lazy moments are for CD's! There are no shortcuts to good analog reproduction. In fact, the more capable the system, the more care the user must take. My vinyl rig retails for about $18K but I still have to pay attention when I turn the motor on. If I move it by mistake it can take 30 minutes of fussing to re-position it correctly (I use a non-elastic drive belt, so there's zero margin for error).

However, putting something like a rubber mat or tape underneath may allow turning the motor off with one hand, and even further isolate vibrations coming from the motor.

Depending on the system, it may also slur transients and dull dynamic response. The more revealing and accurate the rig, the less tolerant it will be of elasticity *anywhere* in its mechanical connections. Putting rubber feet or even a single thickness of Scotch tape beneath my TT motor turns a vibrant and hugely dynamic table into a sludge. By all means try it, but keep an open mind about the effects you hear.

P.S. Your new cart sounds like a huge step up. (I'm not surprised, most Grados are better at smoothing things over than reproducing lifelike music). Enjoy the journey!

P.S. Try some (metal or wood) spike cups beneath your motor spikes. This may increase friction between motor and platform, reducing its tendency to slide, without adding elasticity.

To keep the belt at the same height on the platter you'd have to raise your TT by the same amount. Don't know if that's important on the Emotion, or feasible if so... just something to consider.

Zyx cartridges are very good, they work extremely good with a wide range of Arms and they are also available with different outputs. Personally I think, a Fuji 100 is hard to beat in a price range which doesn't ruin the discriminated Audiophile. One of my friends uses it in a 18k$ Turntable/Arm combination.