Velodyne Digital Drive Series subwoofer in stereo



Hi, I've been very interested in running two subwoofers in stereo (diff. signals to each subwoofer); I've heard many people swear by this setup.

My next room for my system will be 14' x 14' x 18' high ceiling loft living room. My question is, will two DD10 be enough to fill the room with organ music and scare me out of my seat for movie tracks? Should I move up to two DD12s? Money is not really an issue, but I'd like to save wherever I can.

Any help would be appreciated. Thanks,
spacekadet
Dear Spacekadet: Velodyne: great choice nobody knows more about subwoofers that Velodyne people. I own two HGS-15, why two?: well not only because there are music information in the lef and right side of the recording signal but more important because those low bass ( left/right ) generate a lot of harmonics down and up the fundamental frecuency. So, if you have only one subwoofer you are missing a lot of music.

+++++ " except for a bump at 50Hz . " +++++

I can suggest that you can try other subwoofer position: side firing.

Now, the crossover point for the Totem's is very important ( critical ): which was your crossover point that you choose?

Regards and enjoy the music.
Raul.
I'm no professor but it seems to me you can't 'miss' any of the bass if you've summed the two channels through the sub. Its all there, how can you 'miss' any? Has anyone really compared two subs run in stereo to two subs daisey chained together? And can you honestly hear any difference or do you perceive it? I just can't believe there is. A benefit to having two subs though is another matter. I know two different people running two DD-18's in their systems... from what I hear, I want to match my single DD-18 to a sister sub... holy cow! Neither runs their other then daisy chained and both are knowledgable people in the industry.
Two answer your question, I have compared my two ULD-12's running in mono and in stereo. There is a difference. Remember that the left and right channel may have different phasing when picked up by the microphone. The most extereme example would be where the mike picked up the signal 180 degrees out of phase. This would result in no signal when summed to mono, when in fact there is a completely different signal from left to right. When played back the summed mono would have no output while the stereo subs will put out the signal and the listener will hear the bass as picked up by the microphone.
I agree with Mcreyn and some of the other guys. No doubt about it two stereo subs are very easy to discern from a mono sub or two mono subs.Infact once you hear it ..all your questions will be answered.
Dear Spacekadet: Why I already say that you can loose music info. With a pair subs you have stereophonic sound reproduction that is exactly how its happen at the recording event.
Example, let's take a low drum that was recorded at left side of a music hall : if you have a dual mono subs ( left/right separates ) you will hear that drum at the left side on your audio system but if your subs are sum up ( left+right ) you will hear that drum at the center of your audio system.

Regards and enjoy the music.
Raul.