Verity Audio speakers

I heard the line in Montreal several years back including the Parsifal Encore, Ovation and Sarastro. The Ovation and Sarastro were in smaller rooms with Silversmith cabling and Nagra electronics, lovely AND memorable sound. The Parsifal Encores were paired with Berning prototype amps and pre-amp with Stillpoints everywhere and Stereovox cabling in a LARGE trapezoidal room on the ground floor with the "big boys". I had a vested interest at the time since I have a Berning amp but wasn't at the time I committed to attend the show expecting to hear Berning paired with Verity or I probably wouldn't have. I expressly attended the show to hear Berning and at the time was considering upgrading to the latest Merlins which were to be demonstrated. Merlin didn't make it and the Parsifals which were new and not even broken in, were a last minute replacement.

The speakers were place well out in the room away from the front wall which had a curtain to counter noise from the AHUs behind that wall, a low rumbling that couldn't be eliminated, no matter. It took a while to get everything dialed in and I had the opportunity to listen over a 3 day period. Long story condensed by the last day I didn't want to leave that room! Didn't matter what the genre, from large scale choral and orchestral to jazz to vocal it did it all so naturally and effortlessly, it just sounded so damn real, the hairs on the back of my neck stood up on almost everything I listened to. I had an opportunity to purchase the speakers but was unsure how they would sound in my space, with the requirement that they be placed well out from the front walls a major consideration that really wouldn't be optimal in my listening room so I passed BUT I often wonder, what if? Most impressive line for sure with mointo potential.

Doesn't Verity recommend that their speakers be placed 1/3 the length of the room off the front walls? I'd call that hard to place: eg: 7 ft. from the front wall in a 20 ft room.

This has always out me off Verity, which look like a great line; I'd be pleased to be corrected.

The rule of 1/3 is a basic acoustic principal designed to mitigate room enhanced nulls and peaks. If you search speaker placement optimization, you will see this principal explained in greater detail plus the theory behind the application.

In short, this is not a Verity only suggestion, but a good starting position for most speakers. As always, with any theory, it offers a good starting point which will allow you to adjust to personal taste and your own room acoustics.

I agree with you Brf and that principle has always correlated to the "ideal" for the vast majority of speakers, too bad most of us don't live with ideal conditions and it always gets back to how important the room comes into play as the real wild card in putting together a great sounding system when all the other parts to the equation are in place, too overlooked in my estimation.

I agree. Real world speaker positioning and ideal speaker position is all about compromise. Verity with their optional forward or rear firing bass module provides greater room placement flexibility than most traditional speakers.

The reason I posted about Verity’s room placement was not to discourage potential buyers into thinking that the rule of 1/3 only applied to Verity.

A lot of what attracted me to the Parsifals initially is that they seemed EASIER to place in a challenging room. More flexible (front or rear firing woofers), generally considered somewhat "beamy" in the midrange (which makes 1st order reflections off of side-walls less pronounced), and, for all that's packed in there, a really small footprint. But, of course, placement matters. A lot. But doesn’t it always? Oh, and they do sound wonderful – seems like regardless of what you throw at them. The ones I have are, I think, fairly described as 1/2 Ovation 1/2 Encore. The monitors are effectively upgradable (although they don't call it that) to Ovation specs. Mine were (before I got them). The bass cabinets on the Ovation/Encore versions are different sizes, however, and thus it's one or the other, and that’s that. Running mine with relatively modest Rowland gear, and 250wpc SS monoblocks are more than enough. Have also heard them (same ones) on Atmasphere monoblocks. Nice, but I really don’t have the patience for tubes any more, personally. No – unless I stumble into unlimited funds to build an secret room from the ground up designed around something cringe-inducingly, self-indulgently, and obscenely huge – don’t expect I’ll ever consider getting rid of the Parsifals.

Smoffat, as for anchoring, your “environment” (dedicated room on a concrete floor) is about as different as possible from mine (main living space on a saggy, 160-year-old, suspended wooden floor) – so I don’t expect the same solution would apply. At all. I need to move mine all the time (from where the sound good, to where they “belong”). And also need to isolate them from that damn floor as much as possible. At first, I had the stock spikes on granite slabs on magic sliders. Effective-ish. Then I tried replacing the stock spikes with the Stillpoints SS Ultras. Like it. Generally, the effect was to sound cleaner and more precise, without losing any of the signature warmth and fullness. Then I swapped out all of the sorbothane pucks (between the cabinets and the aluminum block between them) with Herbies fat black dots as well as replacing the “magic sliders” under the granite with the Herbies slider-plus-“dot” deal. Again, the cumulative (subjective) effect was to firm up and de-muddy the soundstage and presentation (and a lot more cost-effectively than the Stillpoints….). Anyway, may well have over done it, but that’s the current pile for what it’s worth.

I’ve also heard the new(er) Amadis (I think a step above the Parsifals in the price range) running on the new VAC Statement anti-earthquake, pile of amplification and glass (at the audio show in NYC earlier this year, where the engineer actually kicked the thing to demonstrate how impressively anti-earthquake it was, and it was impressive). Meh, didn’t love it. Impossible to say what or why or how much attributable to any given element with a show presentation, but didn’t find the arbitrary whole all that engaging at the time. Mileage guaranteed to vary.