Was 1971 the high point of popular music?


All these albums were released in 1971.

"Imagine" by John Lennon

"Sticky Fingers" by Rolling Stones

"Blue" by Joni Mitchell

"Meddle" by Pink Floyd

"There's a Riot Going On" by Sly & The Family Stone

"Fragile" by Yes

"The Yes Album" by Yes

"Killer" by Alice Cooper

"Ram" by Paul McCartney

"Live at the Filmore East" by Allman Bros. Band

"Who's Next" by The Who

"What's Going On" by Marvin Gaye

"Hunky Dory" by David Bowie

"Aqualung" by Jethro Tull

"Master of Reality" by Black Sabbath

"Songs of Love and Hate" by Leonard Cohen

"Shaft" by Isaac Hayes

"Every Picture Tells a Story" by Rod Stewart

"Madman Across The Water" by Elton John

"LA Woman" by The Doors

"Led Zeppelin IV" by Led Zeppelin

"Tapestry" by Carole King

"Pearl" by Janis Joplin

"Live-Evil" by Miles Davis

" Journey in Satchidananda" by Alice Coltrane

"Teaser and teh Firecat" by Cat Stevens

"Deuce" by Rory Gallagher

"Santana III" by Santana

"Weather Report" by Weather Report

"Tupelo Honey" by Van Morrison

"Surfs Up" by The Beach Boys

"John Prine" by John Prine

"Wild Life" by Wings

"Where I'm Coming From" by Stevie Wonder

 

 

 

 

 

 

128x128tony1954

@stuartk good points, especially about the "melodic and harmonic limitations". From around 1956 to 1976 we had 20 years of experimentation and creativity on display within those parameters. That’s 20 years of music. Today, much is simply derivative of stuff that has already been done. (The same can be said for much of TV programs and movies). Maybe we are just old and "been there, done that" so we look upon new tunes that are more of the same old, same old, "three chords and the truth" as not being up to snuff.

I love jam bands. Been seeing them since the Grateful Dead, but even there, it is becoming formulaic. You know when a up and coming popular jam band like Goose resorts to doing a version of a Justin Timberlake song we have come full circle.

Fortunately for all of us, there’s plenty of old and new music to be discovered. A few years ago, I "discovered" electronica and ambient music, when my experience was mostly limited to Kraftwerk, ELP, and maybe John Cage. Then we have all the great jazz records that you could spend a lifetime examining and loving.

What will music become going forward? No one really knows. Hopefully it will be more than just the soundtracks to video games.

But this body of work is out there, waiting for future generations to discover and love.  I believe some of them will stand the test of time just as classical compositions have after hundreds of years. If something is "good" I think it always will be. 

@stuartk 

@mahler123 

@markmoskow 

@moonwatcher 

Seems that there are a lot of similarities in how our individual musical journeys have affected our current tastes.

We were lucky to have been there in the beginning in the late 60's and early 70's, but maybe unlucky in that we developed very high standards in what constituted good music. It also gave us a broad spectrum of musical genres to enjoy when you consider popular music included bands like the Allman Bros., ELO, The Eagles, Steely Dan, Bowie, Black Sabbath and Joni Mitchell.

Then things changed.

  1. Mid 70's. Still vibrant and varied music being made, but less of everything.
  2. Late 70's. Disco happens and popular music becomes more formulaic and emotionally shallow. Also, as a reaction to the disco world, punk music begins.
  3. Early 80's. New Wave and Punk take over and music starts to die. Musicianship all but disappears and image is everything. Style over substance.
  4. Late 80's and early 90's. New Wave declines and hip hop/rap surges into the void. Both genres devalue musicianship and music follows a stagnant formula that still exists three decades later.
  5. Late 90's to today. Shallow, bland, formulaic, pop music that places 90% on image and 10% on substance.

Please keep in mind that these are gross generalizations, only meant to illustrate how I see musical history. There is still a lot of current music that remains vital and innovative, but musicianship is still in short supply.

The result of this is that my current musical taste includes a large amount of vintage jazz, as well as a love for opera. Both genres feed my need for instrumental and vocal sophistication and both require you to use your brain.

The added benefit is that jazz and classical records just sound better and allow good equipment to shine.

1971 was the year I graduated from High School. Way too many good memories, along with the great music that I still play often!

ozzy

@whart 

Actually, one of the bands that I consider very underrated was also on UK Island.

The Sutherland Bros. & Quiver had several good albums with the best being "Lifeboat" which featured one of the most underrated guitarists in Tim Renwick.

Renwick also appears on albums by Al Stewart, Pink Floyd, David Bowie, Elton John, Alan Parsons and  The Pretenders.

@moonwatcher 

But this body of work is out there, waiting for future generations to discover and love.  I believe some of them will stand the test of time just as classical compositions have after hundreds of years. If something is "good" I think it always will be. 

I agree. I'm definitely not one of those who believes the only yardstick applicable for determining whether music (or any other art)  is "good" is subjective taste!