What does a tonearm contribute to the sound of a turntable?


Curious about how a tonearm affects a turntable sound. I guess it's the piece of the turntable I know the least about and feel the least connection with. how does a really good tonearm affect the sound or not affect the sound? And what about the tonearm does the affecting?
128x128simao
Agree with most of what is said above. Everything matters. Signals are tiny, and anything that can, will effect the signal.

Regarding Azimuth, I need to see the video.

Seems to me, when set up properly (I use a voltmeter, check left and right channels using a 1kHz signal that plays left, then right) Fremer has a way to do this if you have an accurate multi meter and a test record.

https://www.analogplanet.com/content/crazy-little-thing-called-azimuth-part-1

https://www.analogplanet.com/content/crazy-little-thing-called-azimuth-part-2

Curious to see what Peters thoughts are on this? It would seem to me, that in order to get the best possible L/R channel separation, proper azimuth is critical...


 ++millercarbon
 Wow! He  covered everything!   A REALLY important consideration is Cartridge Compliance and the Tonearm choice that MC mentioned above. A rigid arm requires a compliant cartridge!  Much more than 10. The more the better if using a stiff arm! And Vice-versa with a compliant arm.  An MC cartridge won’t do that without spending a million $. They do cost more for a reason. They sound better, whether  choosing MC or MM/MI.
You can join vinylengine.com and see a graph that compares compliance of the cartridge and the rigidity of the arm, together.  Additionally  there is a really elaborate [sic. accurate] calculation that will help you calculate it more accurately than that graph, somewhere on the Internet.
Again, listen to what Mr Lederman has to say!
Bent
Read most of this and have a question.  Back in the "old days" there were controversies regarding detachable heads and fixed heads.  The Shure (SME) 3009 had detachable heads and others had fixed heads.

I remember many articles that preferred the fixed heads for many reasons.  (The detachable ones were much easier when changing cartridges, as I remember!)  Has this changed with today's arms?

Back then, Linn Sondek had the better belt-drive tables and Technics came out with direct drive and everyone was crazy over that technology for a while.

Since I still have both types of tables from back then, I was wondering what today's world finds most accurate in drive types for tables, and which arms are considered to be the most accurate (fixed vs detachable)?

Cheers!
Maybe the proper question is what does a turntable contribute to the sound of a tone arm?