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What phono stage candidates should I consider?

I will be taking delivery of a new linestage, the Emotive Audio Epifania (tube-based), which will be replacing a Mark Levinson Ref. No. 32 that has a built-in phono stage. I am therefore in the market for a new phono stage. My cartridge is a Lyra Titan, which is mounted on a Basis Vector arm/Basis Debut (vacuum) table combination.

I can, realistically, only review a small number of candidate linestages in my own system, so I need to determine which stages to consider. If I find one that I like, I will go with it and I do not plan on driving myself crazy chasing after the "best."

Some of the relevant details about the Titan are as follows: It is rated at .5mV output and has an internal impedance of 5.5 ohms. Lyra specifies loading of 10 ohms to 47k ohm (they recommend the higher end of the range, i.e, unloaded). If mated to a step up transformer, they recommend 4-6 ohms, not exceeding 10 ohms.

One of the candidates I am looking at is the Artemis PL-1 phono stage. It is a tube-base unit that utilizes a transformer to step up the voltage. I don't know which model of transformer they use, but the brand is a Sowter (my guess is the 1:20 model specified for cartridges with a 3-15 internal impedance).

I can also get in for audition a Ray Samuels Emmeline. I will also be borrowing a friend's phono stage that is made locally, in the Washington D.C. area, by Deja Vu Audio (tube based/Jensen transformer or a more expensive model with Audionote trannies).

I am looking for any comments as to which candidates to consider and any helpful detail of experience mating the Titan with a good phono stage. I do hope to keep cost under $8,000 or so, if that is possible.

Thanks.
larryi
larryi OP
4,046 posts
 
Thanks everyone for your help. I've been going back and forth on the step up transformer issue. One of the best phono stages I heard had a step up transformer, but it is a custom-built unit designed specifically for a very low output Allaerte cartridge and utilized an incredibly expensive Audionote transformer. I don't know if that kind of performance can be obtained, except by chance, when a transformer is involved.

I have heard some of the models mentioned here, such as the Sutherland, the top of the line Boulder and the Klyne, but not in my own system (I could probably borrow the Boulder, but, that is a moot issue since I can't afford it).

I was a bit surprised to find out that the nearest dealer to me (Washington D.C. area) that carries the Pass XONO is in NYC.

Raul mentioned the FM Acoustic. I noticed that their former top-of-the-line phono stage is being sold here on Audiogon, but there is no way for me to hear that model. Still, it is a bit tempting.

This is not so easy a task.
whart's avatar
whart
3,049 posts
 
Steelhead? I'm using it right now with an old Parnassus, and the flexibility in settings is quite nice. It also sounds very neutral as far as I can tell- using in an entirely new system so I can't isolate how it is performing, other than to note that I changed the phono tubes to NOS Mullard gold pins, which are a little less sterile than the Sovteks that come with it, and I am also using high efficiency speakers, AG Duos.
Worth a try, anyway and within your budget. Not a 'tubey' lush sounding unit though, but terrific dynamics, and i think the autoformer is built in house by Manley, who could tell you more.
dmailer's avatar
dmailer
235 posts
 
I am using the Artemis PH1 low gain phono with the Bent Audio S&B stepups and that combination works very well for me. It is possible that the gain from the PH1 will be enough for you depending on the rest of your equipment. If not you can always add the step-up of your choosing. This is a very good phono stage which bettered my Hagerman Trumpet by a large margin. If you get one I suggest having an SRA VR base made for it as that took the performance level even higher and was cost effective due to its small size.
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ferrari
617 posts
 
If you can afford the FM Acoustic phono preamp, that will put you in very elite company. Their client list is a virtual whos, who of the music industry. If you can get the serial number, you may find who it was made for. All FM Acoustic pieces are custom made one at a time for the specific client. This is the creme de la creme of all audio gear. While I was at a major record label, we had a few of those. Nothing and I mean nothing is better, it stands alone as the pinnacle of all audio gear.
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