Which artists do you just not get?

Snora Jones

Dave Matthews, Most any Jazz (maybe I will like it when I grow up) Madonna, Celine

Dcwinton,
Interesting comments on the Dead/Phish comparisons. I am a long time Dead afficionado (since 1973), and done the whole taper thing, amassing thousands of hours of material. Dick's Picks and the From The Vault series are HQ godsends to fans. I've seen Phish 30 or 40 times since 1993 as well. Page O'Connell and Trey Anastasio are very gifted musicians and the interplay between the two of them is electrifying at times.Give a listen some time to "Live Phish, 12/14/95 Broome County Arena". The tapes as well as the commercial release are widely availble (email me off list for a copy).Set 2 is almost 1 hour of unbroken exploration. I agree with your gimmicky remark though. To my mind, I find Jon Fishman (Drummer)and his clownish stage antics distracting. I don't think Mike Gordon's bass playing is in the same league with Page and Trey. What has killed the Phish concert experience for me are the fans. Too much begging for free tix, stealing, obnoxious seat surfing, nitrous use and other boorish behavior.
The media has pretty much made the "if you like the Dead, you must like Phish" thing into more than it is. Dead and Phish both allow taping, both handle their own ticket sales, both have legions of loyal tour heads, both are/were masters of live improvisational style, both have far more enlightened moments live rather than on the obligitory studio stuff. Too many "Touch Of Grey Heads" who came late to the Grateful Dead party (since Aug. 9, 1995), don't have them to groove to, so instead they try to wrap themselves around Phish as the second coming of the GD rather than allowing Phish to stand for their own style of musical communication. Witness Phish's own 2 year self imposed hiatus to slow the train down. I do appreciate Phish and what they can do on stage. Some nights have been absolutely other worldly. But like you, I stand firmly in the you-can-dig-the-Dead-without-digging-Phish camp.

Nearly everything played on the radio.

Pearl Jam anything after Ten. The lazy grunge movement so permeated everything about Eddie Vedder that he doesn't even try to sing--usually he doesn't even bother to open his mouth. I apparently got lazy too because I don't bother to even play his cds...

Norah Jones. Has anyone else noticed that she only has one song? It's the length of the whole album and for some reason has these short 3-5 second breaks of silence every 4 or 5 minutes. I predict a One-hit-wonder here.

To reveal my own hypocrisy though. I love albums like The Cure's Disintegration because it all sounds the same. I find this to be very relaxing on this particular album. It's odd how some things just click with some people. I for one am an ardent U2 fan; clearly others chiming in on this thread are not, but I bet that there are many artists that we both like. I wonder what makes some of us "get it" but not others?

Warren Zevon (RIP), Randy Newman. I just never got what the
hoopla was all about. Werewolves of London? Short People?
Huh? This kind of "outragious" writing makes critics darlings? I know they did other stuff, but....for 5 years or more back in the '70s these guys had streams of articles
written about how great they were. Theirs sounded like conventional material to me, compared to Zappa, Beefheart,
Reed, et al.