"What if I didn't have my old 'reference' points for comparison?"
I agree that not holding new music you hear up to comparison with one's existing musical reference points is key to being able to gain an appreciation for new music. Newer artists usually are influenced by older artists, but each is unique. Art is often about creativity and exploration, not fitting some existing mold.
I recall the allmusic.com site lists influence relationships among artists, which can be helpful for finding new acts one might like based on current likes and dislikes.
Maybe part of the problem with learning to like new music is that it involves some work perhaps on the listener's part to break their "mold". That may not appeal to all. That's fine, but I just do not see any value in asserting most new music sucks and then arguing about it. It's obviously a personal opinion that is of little value to others, though one is entitled to express their opinion, whatever it may be.
I agree that not holding new music you hear up to comparison with one's existing musical reference points is key to being able to gain an appreciation for new music. Newer artists usually are influenced by older artists, but each is unique. Art is often about creativity and exploration, not fitting some existing mold.
I recall the allmusic.com site lists influence relationships among artists, which can be helpful for finding new acts one might like based on current likes and dislikes.
Maybe part of the problem with learning to like new music is that it involves some work perhaps on the listener's part to break their "mold". That may not appeal to all. That's fine, but I just do not see any value in asserting most new music sucks and then arguing about it. It's obviously a personal opinion that is of little value to others, though one is entitled to express their opinion, whatever it may be.