Why so many tubes?


Many of the most expensive tube amps/preamp have multiple tubes...6, 8, 10. If direct path is preferred in the speaker by most, why the acceptance of a glass army in one's amp/preamp? 
jpwarren58
The only problem I have with all this detail is you don't hear it like that in a live environment
Uh oh...
@invalid  “The only problem I have with all this detail is you don't hear it like that in a live environment “

I think it is a question of emphasis. All the details are there in the live environment, but typically they don’t stand out as much as the tend to on some systems. My experience is that tube systems frequently get the emphasis right. Solid state tends to spotlight the details.
The number of tubes increased as speaker efficiency decreased.  Paralleling tubes or going push pull can increase power but also can muddy the sound.  As a builder of SET amps I focus on using as few tubes as possible.  Each tube has its own sound due to its harmonic signature.  To many harmonic signatures can lead to a softer or muddy sound.  A well set up SET can be as detailed solid state amp.  With the addition of a level of harmonics that keep it from becoming sterile.  But you are back to using efficient tubes.

As to using a giant 50 or more watt transmitting tube.  They are hard to power their heaters.
Paralleling tubes or going push pull can increase power but also can muddy the sound.
The word 'can' in the statement above prevents it from being false. Going PP can also **decrease** muddiness by decreasing distortion. The trick is to not combine PP circuits with single-ended. Otherwise you get some emphasis of the 5th harmonic (this is old news; Norman Crowhurst was writing about this 60 years ago...).


A fully differential amp (with no dedicated phase splitter) will have dramatically less distortion than a single-ended amp. The harmonics generated will fall off at a faster rate as the order of the harmonic is increased as well. But it still falls off with an exponential decay, which is what you're looking for if you want the amp to sound right. The difference in overall distortion can be dramatic- as much as 3 orders of magnitude lower for a given power output; about 1 magnitude lower for a relative output (IOW if both amps are driven to clipping). That translates directly to increased detail and smoother presentation.