Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
"Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927."

There is not much difference in "sound quality" of one well constructed table versus another IMHO.

What will result in sound quality differences is all that goes into getting a good table arm and cart set up well, and all that goes into selecting flavor of cart to sound best with all the rest. Which actually might or does is largely subjective.

Spinning a record quietly with good sound is not rocket science. It just has to be done right. DO it right and there are many possibilities regarding which will be determined by who to beat the others.
Mikelavigne,

Sorry but I really just don't understand your reply and below are my reasons why.

How do you or anyone for that matter of fact able to go to a show and hear a set-up that involves numerous pces that you are not familiar with as a whole paired up together, never mind the room or others things going on but able to come to a conclusion suggesting the sound is the result of one specific pce of gear within what ever has me at a loss.

Gotta love it though :-)

How would you know what the Saskia table has to offer in general if not put in your own system and directly compared towards the Dobbins Garrard 301 you make reference to.

Sorry but this just isn't possible.

I don't know Mosin and have no knowledge about his marketing and/or product.



Dear administrators, my original post has been posted 3 times instead of intended one.
Could you please fix it?

Thank you
Dev, I apologize. I should not have stuck my nose into the conversation between you and Win. Win is more than capable of defending himself, if he should choose to do so. I guess I took some umbrage at the tone of your questioning, rather than the questions themselves. Similar to the tone of your response to me, rather than its content, and then to Mike Lavigne.

It's probably fair to say that Win does not "make" the motor to his turntable. He freely admits he did not design or make the motor controller. And I am sure someone else cuts the slate pieces from blocks of slate, and some water-jet facility probably makes the final shapes and holes. Perhaps Win only assembles and calibrates those discrete parts. OK? Point taken.
Its always a fair question to ask how one knows how a particular component in an audio system is contributing to the end results.

Listening to a system only indicates what each of the components used is CAPABLE of doing in that particular configuration, not how the individual parts sound in general.

Its useful information but one should be careful about jumping to general conclusions about specific components. Turntable A may be the winner in system A. That probably is a good indicator that it is a strong competitor but does not mean that it will perform equally well in system B.

An analogy is that a baseball player may lead the league in batting in stadium A, but fall well behind the leaders in stadium B. IF they are among the leaders in multiple stadiums (the more the merrier), however, that is probably a good indicator that the player is pretty good.