You really can't go too far wrong buying classic vintage gear from the most well respected brands at deep discounts.
As the others mention above, you can usually resell these components for as much as you paid for them.
Even if the "giant killers" are as good as the reviews suggest, you will instantly take a 30-80% hit on those if you decide to sell them.
One idea of course is that you could try to find a 30-80% discount on slightly used "giant killers" but those markets are usually not as liquid.
Over the years of owning both new and used equipment, buying online, buying from dealers, buying at "clearance" prices....if I ever worried that I overpaid or bought too impulsively, it would be for my Audio Research SP-11 or Mark Levinson 23.5.
Yet without a doubt, of all the equipment I have in my collection, those would be the two components that I could a) sell the most easily and b) for little to no loss relative to what I paid for them.
You do need to buy intelligently, however, and like the market for used high end cars, I would focus on pedigree, reliability, condition, documented history and classic "high end" status, before I would worry about the lowest possible price, or be seduced by dubious claims of superior performance from exotic, garage built designs.
To give you a simple automotive analogy, a well maintained and well documented Porsche 911 will always hold its value far better than a Lotus Esprit.
It should also be said that some of the giant killers are so cheap, that you could also experiment with them for fun and if all else fails, use them for a computer based or bedroom system as a backup. For the price of a Behringer A500 for example, you really can't go wrong either.
Generally, however, if you have any real committment to being a true and educated "audiophile" I would say absolutely go with used classic high end, in the same way that any self respecting wine expert first understands a good Bordeaux, before trying to bargain hunt in California, Chile or Argentina.
In any case, the important thing is to have fun and best wishes.
Cheers,
cwlondon
As the others mention above, you can usually resell these components for as much as you paid for them.
Even if the "giant killers" are as good as the reviews suggest, you will instantly take a 30-80% hit on those if you decide to sell them.
One idea of course is that you could try to find a 30-80% discount on slightly used "giant killers" but those markets are usually not as liquid.
Over the years of owning both new and used equipment, buying online, buying from dealers, buying at "clearance" prices....if I ever worried that I overpaid or bought too impulsively, it would be for my Audio Research SP-11 or Mark Levinson 23.5.
Yet without a doubt, of all the equipment I have in my collection, those would be the two components that I could a) sell the most easily and b) for little to no loss relative to what I paid for them.
You do need to buy intelligently, however, and like the market for used high end cars, I would focus on pedigree, reliability, condition, documented history and classic "high end" status, before I would worry about the lowest possible price, or be seduced by dubious claims of superior performance from exotic, garage built designs.
To give you a simple automotive analogy, a well maintained and well documented Porsche 911 will always hold its value far better than a Lotus Esprit.
It should also be said that some of the giant killers are so cheap, that you could also experiment with them for fun and if all else fails, use them for a computer based or bedroom system as a backup. For the price of a Behringer A500 for example, you really can't go wrong either.
Generally, however, if you have any real committment to being a true and educated "audiophile" I would say absolutely go with used classic high end, in the same way that any self respecting wine expert first understands a good Bordeaux, before trying to bargain hunt in California, Chile or Argentina.
In any case, the important thing is to have fun and best wishes.
Cheers,
cwlondon