resolution and imaging


As my system has evolved over the years, I've noticed a change in how I perceive resolution. Resolution and imaging now seem inextricably linked to me, in other words, maximized imaging is absolutely necessary to maximizing resolution.

Prior to the last couple of years, I heard increases in resolution the way most reviewers describe it. A lowered noise floor allowed more detail through, I was hearing more background (low level) information than I heard previously.

With more recent upgrades, I now hear greater detail/resolution due to enhanced image density and dimensionality. Each upgrade brings more spaciousness, and with more space between all the micro elements that make up sound I hear more detail/resolution. I would not be able to hear as much detail/resolution without this enhanced imaging.

And so now I hear of audiophiles who claim imaging is not important and/or not on high on their list of priorities. I theorize that without high imaging capabilities one cannot achieve maximum resolution from their system.

I recently saw a thread on holographic imaging, some argue this is not present in live music. I totally disagree, live sound lives in physical space, physical space is defined by three dimensions (at least three we've been able to detect), sound is by definition, holographic.

IMO, audio systems must maximize image dimensionality in order to be both high resolution and more lifelike. While I agree that other aspects of audio reproduction are critically important, ie. tonality, dynamics, continuousness, etc., so is imaging.
sns
Its not all meaningless drivel if you want to take meaningful steps towards attaining sound that moves your soul. Understanding the language of sonic performance gives you the knowledge to reach your goals. Without knowledge of the language, this is a foreign tongue, aka your drivel.
Sns...seems like your endeavers into tweaking equipment with capacitor voicing has paid dividends. I too have become a beleiver in capacitor performance making a impact on lower THD leading to sonic improvement. The most significant gains have been in transparency,3d holographics,and tonal realism. I realise only good quality and designed equipment will deliver the greatest improvements....but these gains are very real.
Newbee said...."Now I'm sure that if I was on the podium I would hear it differently." Interesting....In the recording were hearing what the mic gathers....so the info must be there...I would think. Now the issue is can the electronics and speakers reproduce it.
Above all I want to hear *depth*. I want to hear that the brass and woodwind are all the way back there, behind the massed strings. I don't want brass and woodwind sounding as if they were on the same plane as the strings. Now, if there were some nice separation, and the French horns were over to one side, and the oboes were just left of centre, etc. etc., that would be great too, but I can get by with the aural simulacrum of how an orchestra is arrayed on a stage, front to back. (And yes, the timpani should be waaaay back there...)