You're probably listening too loud


After many years of being a professional musician and spending hundreds of hours in the recording studios on both sides of the glass, I believe that most listeners undermine the pleasure of the listening experience by listening too loud and deadening their ears.

As a resident of NYC, there are a million things here that make the ears shut down, just the way pupils close up in bright light. People screaming, trucks, subways, city noise. Your ears keep closing up. Then you go home and try to listen on the hifi, but your ears are still f'kd up to get to the point. Try this experiment.

Hopefully, you can all have some degree of quiet when you can sit down and listen. Start with a record or CD of acoustic music with some inner detail and tonality. I like to use the Naim CD with Forcione and Hayden, or the piano/bass CD with Taylor/Hayden. Just simple, relaxing music. Real instruments doin' real things.

Start by sitting back and leaving the volume just a little lower than you find comfortable. Just like you want to turn it up a bit, but leave it down. Sit back and relax. I would bet that in 7-10 minutes, that "too low" volume is going to sound much louder. That's because you're ears have opened up. Now, without changing anything, that same volume is going to sound right. Step out of the room for a second, but don't talk with anybody. Just go get a glass of water and come back - now, that same volume is going to sound louder than you thought.

Sit back down and listen for a minute or two - now, just the slightest nudge of the volume control upwards will make the sound come alive - the bass will be fuller and the rest of the spectrum will be more detailed and vibrant.

Try it - every professional recording engineer knows that loud listening destroys the subtleties in your hearing. Plus, lower volumes mean no or less amplifier clipping, drivers driven within their limits and ears that are open to receive what the music has to offer.

Most of all - have fun.
chayro
I'd say it is listening to the music and concentrating on the notes, words, details, expressions and the sound stage. It's what I started doing years ago to relieve stress after a hard day at the office. It gets my mind off of work. It is concentration and not daydreaming about work issues, problems, etc. Music works for me to help get my mind off all those things for a while.
Other hobbies can do the same thing- but I always come back to music for both the stimulation, pleasure and to get away.
On average, I listen a little less than once a week. Sometimes I go two-three weeks. But after a hard day, I will turn it on.
Unsound: Fascinating experiment with your trombonist friend. People accustomed to hearing acoustic instruments in a large auditorium have no idea how loud they sound in a small space like a home.
Excellent thread.

I too agree that 80 dB is right about where a system comes 'on song' - sounds reasonably realistic. I'm talking primarily about acoustic jazz, which is 75% of what I listen to.

My normal level is about 85 dB. That surely puts peaks around 90 dB (on the 'slow' setting of the meter; probably actually 95 dB). I picked that level because it sounds best to me and because this is around the level (85 dB continuous) where there's no expected hearing loss after any amount of exposure. I typically listen 2-3 hours/day with my wife, sometimes longer on weekends. (When baby comes, soon, this may change.)

If you're feeling fatigue either it really is much too loud or you have a system problem - I think the latter is *far* more common. I also think things like non-oversampling digital, analog, and SET amps do a lot to ameliorate fatigue-producing artifacts.
I agree with Trelja on everything he said.
I typically listen b/w 85-88 dB, peaks at about 90-92 dB.
Below these levels, it's simply not exciting enough for me.
Listening fatigue, like Trelja said, has more to do with some frequency aberrations, than with the SPLs.
I find that 90 db SPL is generally most pleasurable but I do enjoy up to 100 db SPL continuous when Angus is playing three chord rock ;-)

...some people forget that music is dynamic and exciting but I agree with those who say it should not be deafening. (A lot depends on RMS average levels ....the latest Metallica at 90 db is dreadful but a great recording with plenty of dynamics or brief transients can be pleasant even at 100 db SPL)

Fatiguing = audio compression (either from the system or more often due to the recording)