Richardkrebs
OK now I understand where you are going wrong in your thinking.
The arm/cartridge/record interface has 2 fulcrum points -
The stylus point around which the cantilever pivots.
The cantilever suspension point, about which the cantilever also pivots, but which is partially constrained by the rubber suspension damping.
The forces involved are double ended - you have the groove applying a force to one end of the cantilever via the stylus. The other end of the cantilever has an restorative forces being applied from the arm motion.
The 2 forces are not in sync because there is a suspension joint between the cantilever and the arm.
Think of 2 people holding a pipe and each one trying to move it sideways out of sync with the other. That's what the cantilever experiences.
The model you are working with is irrelevant. It is too simplistic. If you had studied mechanical engineering you would understand this better.
This is the classic mistake made by an untrained ear. Let's add mass, lower the resonant frequency and we get more bottom end.
Dont worry about the increase in distortion through the upperbass, midrange and top end from the cantilever being forced to deflect further.
Richard, you have not answered the question posed in my earlier post..
The question I am still waiting for a response is:
Does the cantilever deflect below resonance ?
Just give me a straight answer - Yes or No
OK now I understand where you are going wrong in your thinking.
Shown here is a link to the Math on driven harmonic oscillators, a mathematical representation of an arm/ cartridge assembly.
The arm/cartridge/record interface has 2 fulcrum points -
The stylus point around which the cantilever pivots.
The cantilever suspension point, about which the cantilever also pivots, but which is partially constrained by the rubber suspension damping.
The forces involved are double ended - you have the groove applying a force to one end of the cantilever via the stylus. The other end of the cantilever has an restorative forces being applied from the arm motion.
The 2 forces are not in sync because there is a suspension joint between the cantilever and the arm.
Think of 2 people holding a pipe and each one trying to move it sideways out of sync with the other. That's what the cantilever experiences.
The model you are working with is irrelevant. It is too simplistic. If you had studied mechanical engineering you would understand this better.
if we take say 5 hz as the resonant frequency, we see that it will not be until we reach say 30hz before we have complete conversion into an output voltage. I dont think that this is desirable.
Making the arm lighter still will extend this frequency upwards.
This is the classic mistake made by an untrained ear. Let's add mass, lower the resonant frequency and we get more bottom end.
Dont worry about the increase in distortion through the upperbass, midrange and top end from the cantilever being forced to deflect further.
Richard, you have not answered the question posed in my earlier post..
Bruce Thigpen has confirmed that Richardkrebs assertion that ‘the cartridge is able to move the arms weight, start it and stop it, without cantilever deflection’ is wrong.
The following are quoted from the correspondence with Bruce Thigpen:
the cartridge will "see" .55Hz mounted in any tonearm, more so in one with higher horizontal inertia
I don't think Kuzma means the stylus does not deflect at all at .55Hz, that would defy physics
The question I am still waiting for a response is:
Does the cantilever deflect below resonance ?
Just give me a straight answer - Yes or No