Ok, this is what I do..
I plant my big butt in the sweet spot, give the attenuator a slight twist to hear the music, and close my eyes. I try to erase or ignore the vocalist and concentrate on the instrumentation/orchestration of the piece. This takes effort and I can only sustain it for one or two cuts of the album. Of course, one can't ignore the vocals but by focusing on the instruments, more of the music gestalt seems to fill the senses. I tend to hear more of what is offered, and for the rest of the album/listening session, I am more attuned to the music behind the words.
The system needs to be crisp and clear, with good soundstage. It works only with well recorded pieces, such as Mark Knofler, Aaron Neville, Rickie Lee Jones, etc.
Just a fun thing to try sometime.
I plant my big butt in the sweet spot, give the attenuator a slight twist to hear the music, and close my eyes. I try to erase or ignore the vocalist and concentrate on the instrumentation/orchestration of the piece. This takes effort and I can only sustain it for one or two cuts of the album. Of course, one can't ignore the vocals but by focusing on the instruments, more of the music gestalt seems to fill the senses. I tend to hear more of what is offered, and for the rest of the album/listening session, I am more attuned to the music behind the words.
The system needs to be crisp and clear, with good soundstage. It works only with well recorded pieces, such as Mark Knofler, Aaron Neville, Rickie Lee Jones, etc.
Just a fun thing to try sometime.