Now days to get a part machined in my shop I need a CAD drawing at $150/hour to produce. A CAM program at $150/ hour to produce. Machining itself at $450/hour, plus material which actually is the smallest cost of the lot.
Very Interesting numbers Richard, thanks for sharing. The numbers reminded me of my former job. If I can digress for a bit and share something - for a different perspective. The company I used to work for charged me out to clients as a project manager at a straight $225 US an hour. A senior consultant was $180 and a consultant $125. A typical work project budget would be based on a respective 10, 20, 70 percentage workload split with myself managing 10 or more projects. (And my wife still wonders why I don't want to go back to work). For this you got electronic and paper plans that you hoped you would never have to use. Mostly theory based but did include one practice run through at the end. Imagine that. Hard to believe for me now. Nothing really tangible. The employee skills gained during the project to use the plans eroded with with company turnover. Anyway.
Some observations aluminum versus stock gooseneck.
The aluminum gooseneck combined with the heaviest mag armwand has taken the resonances for my modded 2.5 tonearm into MC only territory now (based on my ears) which is ok with me. I have a couple of MC cartridges I really like. Whether this is more the mag wand influence over the aluminum gooseneck I can't say. They came to me at roughly the same time period. I do sense it is more the mag wands influence, as it was designed for low compliance MC cartridges by Bruce so things do kind of add up to what I am hearing. As you are an MC user Richard I highly recommend acquiring a mag wand if one becomes available to try out.
In contrast - our cracker jack box cartridge MM 420str discussed here sounds quite strident now on the 2.5 with the 420's higher compliance. But the 420 sounded great before on the 2.5 with Carbon Fibre armwand and stock gooseneck; and it still does sound great on my second ET2 with stock gooseneck and aluminum armwand. So what this tells me when looking at improvements and upgrades with vinyl, is there are no absolutes, generalizations can't be made, and whether something is an improvement will depend on each person's individual situation as our audio kit setup and preferences and goals are all different.
One more observation. The aluminum gooseneck is as you say set at the midpoint level of adjustment.
From a stylus adjustment point of view, if someone likes playing with a lot of cartridges, we can partially blame the MM thread for some of this behavior ?, you could very likely have someone who has a few cartridges hooked up to 2 or 3 armwands ready to interchange; the three armwand stylus level settings on the stock gooseneck comes in very very handy, with the different size/length cartridge bodies and styluses. The three adjustments allow the midpoint inscribed line on the manifold to stay constant and level with the record surface for wow and flutter control. I don't have problems with multiple cartridges (I have problems in other areas) so setting up one cartridge for an extended length of time and dialing it in with the aluminum gooseneck works really well with me and l really like it.
Feel lucky to have it and wanted to spread the joy if possible. If someone reading this can help us out please chime in. The person I referred to earlier has a friend machinist, so the actual machinist cost (highest numnber) could be contained. But he needs the CAD drawing.
Just a note as well that the stock ET2 gooseneck is made up of two parts. Aluminum on the armwand side and carbon fibre on the air bearing spindle side.
Cheers