02-08-11: Hifibri
Recording studios can and usually are 'warm', dead maybe, designed to lack reverberations to control the sound, but not usually characterized as cold. Great pains are taken to control studio acoustics.
02-08-11: Learsfool
Great pains are usually taken indeed, but almost never to make it "warm." In fact, quite the opposite - the engineers want the room to be as dead as possible...
I guess the issue here is whether "deadness" and "warmth" are mutually exclusive characteristics. Personally, I have mixed feelings about that.
Over short distances, a dead room can preserve both the frequency response and the harmonic content of an acoustic instrument or voice, both of which are elements of "warmth," as I understand it.
Over longer distances, dead rooms will typically attenuate high frequencies more rapidly than other frequencies. What that does to the perception of warmth is a bit paradoxical. It seems like the attenuation of high frequencies might increase the perception of warmth, since it will result in a comparative emphasis on midrange and low frequencies. But dead rooms also remove reverberation, which, as Learsfool and Al pointed out, is an important element in the perception of warmth. If that's true, then dead rooms, at longer distances, may not sound warm after all.
Learsfool - It's clear that you feel that a dead recording room is a detriment to the perception of warmth. I wonder whether you feel the same way about a dead *listening* room?
Bryon